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Ambivalent art at the tip of a continent
13 references·1 citing·34 second hop
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this work references cited by second hop

References

  • 1996The struggle for recognition: the moral grammar of social conflicts2,146 cited
  • 2003Toward an Anthropological Theory of Value: The False Coin of Our Own Dreams.318 cited
  • 2002The invention of art: a cultural history299 cited
  • 2005The Transnational Capitalist Class and Contemporary Architecture in Globalizing Cities245 cited
  • 2009The Global Art World: Audiences, Markets, and Museums132 cited
  • 2005The Body Impolitic: Artisans and Artifice in the Global Hierarchy of Value130 cited
  • 2013Renewal through Culture? The Role of Museums in the Renewal of Industrial Regions in Europe56 cited
  • 2011Contemporary Art as Global Art,A Critical Estimate44 cited
  • 2005Whither African Art? Emerging Scholarship at the End of an Age18 cited
  • 2020Whose Rights to Which Past? Archaeologists, Anthropologists, and the Ethics and Aesthetics of Heritage in the Global Hierarchy of Value15 cited
  • 2010Life in a Zulu Village: Craft and the Art of Modernity in South Africa14 cited
  • 2020In and Out of Place: Tibetan Artists’ Travels in the Contemporary Art World10 cited
  • 2013The art museum in Africa – a utopia desired?4 cited

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  • 2024Unveiling Contemporary and Thrilling Waterfront Design Principles through Theoretical and Case-Based Investigations

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3 cited