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Multi-Technique Approach by Traditional and Innovative Methodologies to Support the Restoration of a Wall Painting from the 16th Century at Palazzo Gallo in Bagnaia, Viterbo, Central Italy

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References

2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
2020Remote-sensing hyperspectral imaging for applications in archaeological areas: Non-invasive investigations on wall paintings and on mural inscriptions in the Pompeii site92 cited
2019Development of integrated innovative techniques for paintings examination: The case studies of The Resurrection of Christ attributed to Andrea Mantegna and the Crucifixion of Viterbo attributed to Michelangelo's workshop54 cited
2013Recovery of archaeological wall paintings using novel multispectral imaging approaches39 cited
2018Portable and laboratory analytical instruments for the study of materials, techniques and environmental impacts in mediaeval mural paintings31 cited
2021Surface and Interface Investigation of a 15th Century Wall Painting Using Multispectral Imaging and Pulse-Compression Infrared Thermography29 cited
2017Using non-invasive non-destructive techniques to monitor cultural heritage objects26 cited
2013Multispectral hypercolorimetry and automatic guided pigment identification: some masterpieces case studies24 cited
2022Visualization and mapping of literature on the scientific analysis of wall paintings: a bibliometric analysis from 2011 to 202123 cited
2023Multiband Photogrammetry and Hybrid Image Analysis for the Investigation of a Wall Painting by Paolo de San Leocadio and Francesco Pagano in the Cathedral of Valencia14 cited

Cited by

2024The “Restoration of the Restoration”: Investigation of a Complex Surface and Interface Pattern in the Roman Wall Paintings of Volsinii Novi (Bolsena, Central Italy)6 cited

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