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Tugging at Heartstrings
16 references·0 citing·39 second hop
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References

  • 1998Classical Form529 cited
  • 1986Eros the Bittersweet332 cited
  • 1985A Certain Tendency of the Hollywood Cinema, 1930-1980238 cited
  • 1994Overtones and Undertones228 cited
  • 2015Understanding the Leitmotif134 cited
  • 2001Musical Meaning63 cited
  • 2013Hollywood Cadences62 cited
  • 2015On the Changing Use of the Major and Minor Modes 1750–190048 cited
  • 2001Half-Diminished Functions and Transformations in Late Romantic Music38 cited
  • 1994The Metaphysics of Annihilation: Wagner, Schopenhauer, and the Ending of the "Ring"32 cited
  • 1993Funnel Tonality in American Popular Music, ca. 1900-7024 cited
  • 1992‘Entoiling the falconet’: Russian musical orientalism in context24 cited
  • 2013Transformational Theory and the Analysis of Film Music23 cited
  • 2014A Structural Approach to the Analysis of Rock Music19 cited
  • 2015Modal Interchange and Semantic Resonance in Themes by John Williams15 cited
  • 20173. Motive and Text in Four Schubert Songs13 cited

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