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Rock formation: music, technology, and mass communication
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  • 2008The Establishment of the Virtual Performance Space in Rock37 cited
  • 1995Aesthetics, Technology, and the Capitalization of Culture: How the Talking Machine Became a Musical Instrument34 cited
  • 2013New Technologies and the Business of Music: Lessons from the 1980s Home Taping Hearings19 cited
  • 1998The politics of authenticity in postmodern rock culture: The case of Negativland andthe letter ‘U’ and the numeral ‘2‘13 cited
  • 1998Rock's quarrel with tradition: Popular music's carnival comes to the classroom11 cited
  • 2001Popular Communication in the Contemporary Age10 cited
  • 1993Music video as persuasive form: The case of the pseudo‐reflexive strategy9 cited
  • 2002Culture and commodifictation: technology and structural power in the early US recording industry9 cited
  • 2008Sound, technology, and interpretation in subcultures of heavy music production8 cited
  • 2019The Concept of Moral Ecology in Media Sociology Research8 cited
  • 2007Mashups, Sampling, and Authorship: A Mashupsampliography7 cited
  • 2008Scholarly monographs on rock music: a bibliographic essay

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3 cited
  • 2010Deci-belles: Gender and Power in Sound Engineering for Popular Music in New Zealand3 cited