El costumbrismo americano ilustrado: el caso peruano. Imágenes originales en la era de la reproducción técnica

Abstract

This study analyzes the origins of American costumbrismo, especially that of Peru. The costumbrismo image of Peru is constructed through the iconography of the tapada limeña (veiled woman) from the point of view of the travelling painters, which results in her becoming the Peruvian creole symbol. The two stages of visual costumbrismo are analyzed: the first is produced in the spirit of enlightened science and the second has clear influences of romanticism. The participation of the painter Ignacio Merino is included in the development of costumbrismo. Finally, this article ends with a study of images on pith paper of Museo de América.

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