SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Liveness and the machine: improvisation in live audio-visual performance
12 references·0 citing·35 second hop
Liveness and the machine: improvisation in live audio-visual performance (2011)Liveness and the machine: improvisation i…IMPROVISING DIGITAL CULTURE (2013)IMPROVISING DIGITAL CULTUREImprovisation Hypermedia and the Arts since 1945 (2013)Improvisation Hypermedia and …Liveness: performance in a mediatized culture (2008)Liveness: performance in a me…The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…The Pedagogical Imperative of Musical Improvisation (2007)The Pedagogical Imperative of…Documentation, disappearance and the representation of live performance (2007)Documentation, disappearance …An Interview with Fred Frith: The Teaching of Contemporary Improvisation (2007)An Interview with Fred Frith:…Vj : Audio-visual art + vj culture (2006)Vj : Audio-visual art + vj cu…Deconstructin(g) Jazz Improvisation: Derrida and the Law of the Singular Event (2006)Deconstructin(g) Jazz Improvi…The Complexity of Improvisation and the Improvisation of Complexity: Social Science, Art and Creativity (2003)The Complexity of Improvisati…Unmarked: The Politics of Performance (1994)Unmarked: The Politics of Per…How To Do Things With Words (1975)How To Do Things With WordsImprovisation: Its Nature And Practice In Music (1980)The dialectic of enlightenment (2004)From the Margins to the Mainstream: Jazz, Social Relations, and Discourses of Value (2008)Can improvisation be ‘taught’?: A call for free improvisation in our schools (2009)Learning From the Experts (2014)Dialectic of enlightenment (2023)Book Reviews : Steps to an Ecology of Mind. By GREGORY BATESON. (New York: Ballantine Books, 1972. Pp. xxvi, 517. $1.95.) (1973)Mind and Nature: A Necessary Unity (1979)The Evolving Self (1982)Finding Form: Looking at the Field of Organizational Aesthetics (2005)Managing in the creative industries: Managing the motley crew (2009)A Sociocultural Theory of Creativity: Bridging the Social, the Material, and the Psychological (2020)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Thinking in jazz: the infinite art of improvisation (1995)Monolingualism of the Other; Or, the Prosthesis of Origin (1999)Autobiography and Invention: Towards a Critical Understanding of Identity, Dialogue and Resistance in Improvised Musics (2013)Jeanne Lee’s Voice (2013)(Un)remembering (2018)Disjuncture and Difference in the Global Cultural Economy (1990)Defining Identification: A Theoretical Look at the Identification of Audiences With Media Characters (2001)Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications (2010)The Temporality of the Landscape Revisited (2016)Still Shakespeare and the Photography of Performance (2019)Choreography Invisible (2020)The Mediatization of Society (2008)Understanding Social Media Logic (2013)Positioning: The Discursive Production of Selves (1990)A Dynamic Theory of Organizational Knowledge Creation (1994)Discourse Analysis as Theory and Method (2002)“The question of belief”: writing poststructural ethnography (1995)Body Projects of Young Women of Color in Physics: Intersections of Gender, Race, and Science (2005)Practice as Research in the Arts (2013)Life and Mind (2009)Individual Decisions and Perceived Form in Collective Free Improvisation (2015)Sounds of the Underground (2016)
this work references cited by second hop

References

  • 1975How To Do Things With Words21,525 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1994Unmarked: The Politics of Performance1,810 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 2003The Complexity of Improvisation and the Improvisation of Complexity: Social Science, Art and Creativity238 cited
  • 2013Improvisation Hypermedia and the Arts since 194571 cited
  • 2007Documentation, disappearance and the representation of live performance64 cited
  • 2006Deconstructin(g) Jazz Improvisation: Derrida and the Law of the Singular Event58 cited
  • 2007The Pedagogical Imperative of Musical Improvisation51 cited
  • 2006Vj : Audio-visual art + vj culture9 cited
  • 2013IMPROVISING DIGITAL CULTURE6 cited
  • 2007An Interview with Fred Frith: The Teaching of Contemporary Improvisation5 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work