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An exploration of conservation and curatorial practices surrounding Indigenous American heritage in European museums began with an American Academy in Rome Prize fellowship which served to reconnect three of the co-authors. The stunning discovery of seven Yup’ik masks from western Alaska at the Vatican Museums led two of the co-authors to connect with Chuna McIntyre, a Yup’ik artist and performer. In an effort to pilot a collaborative process where conservators and curators might have their technical and cultural understanding of these masks enhanced, a three-hour virtual meeting was arranged after the masks were documented and the images and information shared. The successes and challenges are presented here from various viewpoints.
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Stored only when both papers are in the corpus — 4 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.