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Opera as Critical “Synthesis”: Theorizing the Interface between Cosmopolitanism and Orientalism
16 references·0 citing·38 second hop
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this work references cited by second hop

References

  • 1986Speech Genres and Other Late Essays9,076 cited
  • 1993Culture and imperialism2,275 cited
  • 1974Anthropology and the Colonial Encounter1,872 cited
  • 1974The Venture of Islam, Volume 11,231 cited
  • 2003Voices of Modernity1,164 cited
  • 2003Global Transformations931 cited
  • 2006The Language of the Gods in the World of Men875 cited
  • 2008Thinking between the Posts: Postcolonialism, Postsocialism, and Ethnography after the Cold War579 cited
  • 2020The Case for Letting Anthropology Burn: Sociocultural Anthropology in 2019430 cited
  • 2000Cosmopolitanisms331 cited
  • 1999The politics of Muslim cultural reform: Jadidism in Central Asia323 cited
  • 2000Toward an Empire of Nations: Border‐Making and the Formation of Soviet National Identities164 cited
  • 2008Russian music and nationalism: from Glinka to Stalin160 cited
  • 2009Music and Marx: Ideas, Practice, Politics148 cited
  • 2019Decolonizing Ethnography130 cited
  • 2000Russian History and the Debate over Orientalism127 cited

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