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Inverted Worlds: The Cannibal Aesthetics of the Pictographs at Cerro Azul
16 references·0 citing·33 second hop
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References

  • 1997Nature and society: Anthropological perspectives621 cited
  • 1992From the Enemy's Point of View576 cited
  • 1980From the Milk River: Spatial and Temporal Processes in Northwest Amazonia490 cited
  • 1980The Palm and the Pleiades: Initiation and Cosmology in Northwest Amazonia307 cited
  • 2004My Cocaine Museum229 cited
  • 2012The Oxford handbook of the archaeology of ritual and religion153 cited
  • 1974Amazonian Cosmos: The Sexual and Religious Symbolism of the Tukano Indians127 cited
  • 2004Inverted Utopias: Avant-Garde Art in Latin America120 cited
  • 1972Amazonian Cosmos: The Sexual and Religious Symbolism of the Tukano Indians.83 cited
  • 2020Colonisation and early peopling of the Colombian Amazon during the Late Pleistocene and the Early Holocene: New evidence from La Serranía La Lindosa76 cited
  • 2013Mysteries of the Jaguar Shamans of the Northwest Amazon65 cited
  • 2020Signs of the Americas57 cited
  • 1997Rainforest Shamans: Essays on the Tukano Indians of the Northwest Amazon42 cited
  • 2017Body Tubes and Synaesthesia41 cited
  • 2011Rock Art, Religion, and Ritual20 cited
  • 2016

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Perros de guerra, caballos, vacunos y otros temas en el arte rupestre de la Serranía de La Lindosa (Río Guayabero, Guaviare, Colombia): Una conversación
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