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Tensor decomposition for painting analysis. Part 2: spatio-temporal simulation
11 references·0 citing·39 second hop
Tensor decomposition for painting analysis. Part 2: spatio-temporal simulation (2023)Tensor decomposition for painting analysi…Tensor decomposition for painting analysis. Part 1: pigment characterization (2023)Tensor decomposition for pain…An enhanced optical micro-fading device (2022)An enhanced optical micro-fad…Color degradation mapping of rock art paintings using microfading spectrometry (2020)Color degradation mapping of …Spread or Sacrifice: Dilemma for Lighting Policies (2018)Spread or Sacrifice: Dilemma …Digitally reconstructing Van Gogh's Field with Irises near Arles part 3: Determining the original colors (2017)Digitally reconstructing Van …Experimental study on merits of virtual cleaning of paintings with aged varnish (2015)Experimental study on merits …Micro-fading spectrometry: investigating the wavelength specificity of fading (2014)Micro-fading spectrometry: in…“Virtual Fading” of Art Objects: Simulating the Future Fading of Artifacts by Visualizing Micro-Fading Test Results (2007)“Virtual Fading” of Art Objec…Rejuvenating the color palette of Georges Seurat's A Sunday on La Grande Jatte—1884: A simulation (2006)Rejuvenating the color palett…Los Angeles: The Getty Conservation Institute (2003)Los Angeles: The Getty Conser…Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements (1999)Predicting The Fading of Obje…Seurat and the Making of La Grande Jatte (2004)An investigation of multispectral imaging for the mapping of pigments in paintings (2008)The darkening of zinc yellow: XANES speciation of chromium in artist's paints after light and chemical exposures (2011)Restoration of X-ray fluorescence images of hidden paintings (2012)National Gallery Technical Bulletin (1979)Mitigation strategies for radiation damage in the analysis of ancient materials (2014)A holistic multimodal approach to the non-invasive analysis of watercolour paintings (2015)Parameters that affect the photodegradation of dyes and pigments in solution and on substrate – An overview (2022)Wavelength-dependent fading of artists' pigments (1994)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Large-scale assessment of light-induced color change in air and anoxic environments (2012)Characterization and utilization of Prussian blue and its pigments (2016)Wavelength Dependence of Light Induced Changes in Reflectance Spectra of Selected Dyes and Pigments (2017)Spectral damage model for lighting paper and silk in museum (2020)Color science in the examination of museum objects: Nondestructive procedures (2002)Ten years of art imaging research (2002)Measuring photostability through glass: the application of microfading testing to the study of framed pastel artworks (2018)The Influence of Varnishes on the Appearance of Paintings (1987)Multispectral imaging system for the mapping of pigments in works of art by use of principal-component analysis (1998)Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)Digitally reconstructing Van Gogh's Field with Irises near Arles. 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Analysis of colour recording and communication systems in rock art research (2014)International Organization for Standardization (2011)Jupyter Notebooks – a publishing format for reproducible computational workflows (2016)Positioning and Power in Academic Publishing: Players, Agents and Agendas (2016)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)FORS Spectral Database of Historical Pigments in Different Binders (2014)Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts (2014)Nervous Landscapes (2003)Writing and the origins of Greek literature (2003)Experiencing Authenticity at Heritage Sites: Some Implications for Heritage Management and Conservation (2009)
this work references cited by second hop

References

  • 2003Los Angeles: The Getty Conservation Institute181 cited
  • 1999Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements96 cited
  • 2006Rejuvenating the color palette of Georges Seurat's A Sunday on La Grande Jatte—1884: A simulation42 cited
  • 2014Micro-fading spectrometry: investigating the wavelength specificity of fading30 cited
  • 2015Experimental study on merits of virtual cleaning of paintings with aged varnish23 cited
  • 2017Digitally reconstructing Van Gogh's Field with Irises near Arles part 3: Determining the original colors22 cited
  • 2007“Virtual Fading” of Art Objects: Simulating the Future Fading of Artifacts by Visualizing Micro-Fading Test Results9 cited
  • 2020Color degradation mapping of rock art paintings using microfading spectrometry9 cited
  • 2023Tensor decomposition for painting analysis. Part 1: pigment characterization8 cited
  • 2022An enhanced optical micro-fading device7 cited
  • 2018Spread or Sacrifice: Dilemma for Lighting Policies5 cited

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