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Laser-based techniques for the non-invasive characterisation of grisaille paints on stained-glass windows
16 references·0 citing·49 second hop
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References

  • 2002The application of LIBS for the analysis of archaeological ceramic and metal artifacts143 cited
  • 2007Composition of 12–18th century window glass in Belgium: Non-figurative windows in secular buildings and stained-glass windows in religious buildings93 cited
  • 2009Advantages and disadvantages of PIXE/PIGE, XRF and EDX spectrometries applied to archaeometric characterisation of glasses70 cited
  • 2014Femtosecond pump-probe microscopy generates virtual cross-sections in historic artwork61 cited
  • 2012In situ 3D characterization of historical coatings and wood using multimodal nonlinear optical microscopy58 cited
  • 2011The Value of Historic Window Glass49 cited
  • 2011Nonlinear imaging and THz diagnostic tools in the service of Cultural Heritage46 cited
  • 2017Chemical composition and alteration processes of glasses from the Cathedral of León (Spain)45 cited
  • 2018Analysis of heritage stones and model wall paintings by pulsed laser excitation of Raman, laser-induced fluorescence and laser-induced breakdown spectroscopy signals with a hybrid system43 cited
  • 2019Analysis of chromophores in stained-glass windows using Visible Hyperspectral Imaging in-situ41 cited
  • 2015Materials, Techniques, and Conservation of Historic Stained Glass “Grisailles”35 cited
  • 2014Nonlinear imaging techniques as non-destructive, high-resolution diagnostic tools for cultural heritage studies35 cited
  • 2013Laser induced breakdown spectroscopy for analysis and characterization of degradation pathologies of Roman glasses

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31 cited
  • 2005Neorenaissance/Neobaroque stained glass windows from Madrid: a characterisation study on some panels signed by the Maumejean Fréres company31 cited
  • 2015Multianalytical characterization of Late Roman glasses including nanosecond and femtosecond laser induced breakdown spectroscopy29 cited
  • 2010The stained glass window of the southern transept of St. Anthony's Basilica (Padova, Italy): study of glasses and grisaille paint layers28 cited
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