Postfictional Theatre, Institutional Aesthetics, and the German Theatrical Public Sphere

Christopher B Balme

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Theatre and Performance Studies German Literature and Culture Studies Theater, Performance, and Music History

Abstract

The traditional institutional split between theatrical organizations devoted to the “fictional” and mass media devoted to the “factual” is being challenged in German theatre. The move to the “postfictional” involves an institutional shift that affects theatre as a medium, and has provoked political and public resistance.

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1968Illuminations: Essays and Reflections 1985Great Reckonings in Little Rooms: On the Phenomenology of Theater 2012Social Works: Performing Art, Supporting Publics 2014The Theatrical Public Sphere 1996The death of character: perspectives on theater after modernism 2010Dramaturgy of the Real on the World Stage 2024Deep play: notes on the Balinese cockfight 1958Aristotle's Poetics: The Argument

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