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Identification of traditional black Persian inks by spectroscopic and spectral imaging techniques: Presenting a flowchart method
16 references·1 citing·45 second hop
Identification of traditional black Persian inks by spectroscopic and spectral imaging techniques: Presenting a flowchart method (2023)Identification of traditional black Persi…Recent advances and applications to cultural heritage using ATR-FTIR spectroscopy and ATR-FTIR spectroscopic imaging (2022)Recent advances and applicati…Identification of pigments used in a Qajar manuscript from Iran by using atomic and molecular spectroscopy and technical photography methods (2022)Identification of pigments us…New insights into iron-gall inks through the use of historically accurate reconstructions (2018)New insights into iron-gall i…Materials and techniques of Islamic manuscripts (2018)Materials and techniques of I…Fibre optic reflectance spectroscopy and multispectral imaging for the non-invasive investigation of Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) (2018)Fibre optic reflectance spect…Raman characterization of XIV–XVI centuries Sardinian documents: Inks, papers and parchments (2017)Raman characterization of XIV…Analytical evidences of the use of iron-gall ink as a pigment on miniature paintings (2017)Analytical evidences of the u…Elucidation of the Fe(III) Gallate Structure in Historical Iron Gall Ink (2016)Elucidation of the Fe(III) Ga…Identification of pigments by multispectral imaging; a flowchart method (2014)Identification of pigments by…‘Multispectral Imaging in Reflectance and Photo-induced Luminescence modes: a User Manual’ (2013)‘Multispectral Imaging in Ref…A Review of Instrumental Approaches for Studying Historical Inks (2012)A Review of Instrumental Appr…Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Advances in multispectral and…All that is iron‐ink is not always iron‐gall! (2008)All that is iron‐ink is not a…Analysis of 18th–19th century’s historical samples of Iranian ink and paper belonging to the Qajar dynasty (2007)Analysis of 18th–19th century…Spectroscopic evaluation and characterization of different historical writing inks (2005)Spectroscopic evaluation and …Historical iron gall ink containing documents — Properties affecting their condition (2005)Historical iron gall ink cont…Non-invasive imaging and spectroscopy techniques for identifying historical pigments: a case study of Iranian manuscripts from the Qajar era (2023)Non-invasive imaging and spec…The museum environment (1978)Multispectral imaging system for the mapping of pigments in works of art by use of principal-component analysis (1998)Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Hyper-Spectral Imaging Technique in the Cultural Heritage Field: New Possible Scenarios (2020)Phytate: a Potential Conservation Agent for the Treatment of Ink Corrosion Caused by Irongall Inks (1995)Handbook of Chemometrics and Qualimetrics (1998)Investigation of oxidation and migration processes of inorganic compounds in ink-corroded manuscripts (2004)Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings (2010)Handheld XRF for Art and Archaeology (2013)A Quantitative Measure of Borane Tert-Butylamine Complex Effectiveness in Carbonyl Reduction of Aged Papers (1999)Raman analysis of iron gall inks on parchment (2006)Classification of iron‐based inks by means of micro‐Raman spectroscopy and multivariate data analysis (2013)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts (2018)Spectrochemical characterization by micro-FTIR spectroscopy of blue pigments in different polychrome works of art (1999)FTIR – Deconvolution Spectra of Paper Documents (2002)Application of spectroscopic techniques to the study of illuminated manuscripts: A survey (2012)Fluorescence of Paint and Varnish Layers (Part III) (1982)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Practical notes on ultraviolet technical photography for art examination (2015)Pigments Checker version 3.0, a handy set for conservation scientists: A free online Raman spectra database (2016)The materials and techniques of medieval painting (1956)Analysis of Iron Complexes of Tannic Acid and Other Related Polyphenols as Revealed by Spectroscopic Techniques: Implications in the Identification and Characterization of Iron Gall Inks in Historical Manuscripts (2022)Iron-gall inks: a review of their degradation mechanisms and conservation treatments (2022)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Identification of dyestuffs in historical textiles: Strong and weak points of a non-invasive approach (2013)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Investigating Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) by high performance liquid chromatography tandem mass spectrometry – Towards the creation of a mass spectra database (2018)Exploring the transition from natural to synthetic dyes in the production of 19th-century Central Asian ikat textiles (2020)Application of Uniform Manifold Approximation and Projection (UMAP) in spectral imaging of artworks (2021)Tannins characterization in historic leathers by complementary analytical techniques ATR-FTIR, UV-Vis and chemical tests (2012)Vegetable Tannins Used in the Manufacture of Historic Leathers (2018)Black Egyptian inks in Late Antiquity: new insights on their manufacture and use (2020)Infrared Spectroscopy in Conservation Science (2000)Modern analytical methods in art and archaeology (2000)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)Synchrotron X-ray diffraction computed tomography to non-destructively study inorganic treatments for stone conservation (2022)ATR-FTIR spectroscopic imaging of white crusts in cross sections from oil cartoons by Edward Poynter in the Heritage Collections at UK Parliament (2023)Climate Change and Cultural Heritage: A Global Mapping of the UNESCO Thematic Indicators in Conjunction with Advanced Technologies for Cultural Sustainability (2024)A technical step forward in the integration of visible-induced luminescence imaging methods for the study of ancient polychromy (2017)Understanding multispectral imaging of cultural heritage: Determining best practice in MSI analysis of historical artefacts (2020)Pigments—the palette of organic colourants in wall paintings (2021)
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References

  • 2011Advances in multispectral and hyperspectral imaging for archaeology and art conservation523 cited
  • 2014Identification of pigments by multispectral imaging; a flowchart method278 cited
  • 2005Historical iron gall ink containing documents — Properties affecting their condition150 cited
  • 2022Recent advances and applications to cultural heritage using ATR-FTIR spectroscopy and ATR-FTIR spectroscopic imaging147 cited
  • 2018New insights into iron-gall inks through the use of historically accurate reconstructions119 cited
  • 2016Elucidation of the Fe(III) Gallate Structure in Historical Iron Gall Ink117 cited
  • 2018Fibre optic reflectance spectroscopy and multispectral imaging for the non-invasive investigation of Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD)97 cited
  • 2013‘Multispectral Imaging in Reflectance and Photo-induced Luminescence modes: a User Manual’85 cited
  • 2005Spectroscopic evaluation and characterization of different historical writing inks76 cited
  • 2008All that is iron‐ink is not always iron‐gall!74 cited
  • 2018Materials and techniques of Islamic manuscripts47 cited
  • 2017Raman characterization of XIV–XVI centuries Sardinian documents: Inks, papers and parchments38 cited
  • 2017Analytical evidences of the use of iron-gall ink as a pigment on miniature paintings36 cited
  • 2012

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A Review of Instrumental Approaches for Studying Historical Inks
27 cited
  • 2022Identification of pigments used in a Qajar manuscript from Iran by using atomic and molecular spectroscopy and technical photography methods19 cited
  • 2007Analysis of 18th–19th century’s historical samples of Iranian ink and paper belonging to the Qajar dynasty19 cited
  • Cited by

    • 2023Non-invasive imaging and spectroscopy techniques for identifying historical pigments: a case study of Iranian manuscripts from the Qajar era7 cited