Women on the Canadian Stage: The Legacy of Hrotsvit

Abstract

Women on the Canadian Stage, the first volume of criticism dedicated solely to the work of women dramatists in this country, fills an important gap in dramatic criticism. It is also written entirely by women. As the press release for this collection notes, “women are over-represented in the theatre’s administrative and support systems, [but] positions of power, like that of the artistic director, remain a male domain.” Similarly, plays by women have traditionally been ignored both within the academy and in production.

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