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The Semiotic Analysis of the Collisions Between Dominant Myths and Counter-Myths in Three Indonesian Horror Movies
9 references·1 citing·41 second hop
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References

  • 1994A First Look at Communication Theory1,982 cited
  • 2020Development of inductive reasoning in students across school grade levels52 cited
  • 2016From book to stage to screen: semiotic transformations of Gothic horror genre conventions42 cited
  • 2018Using Thematic Analysis to Facilitate Meaning‐Making in Practice‐Led Art and Design Research32 cited
  • 2018Pilgrims, Prostitutes, and Ritual Seks14 cited
  • 2020Spirits out of place: relational landscapes and environmental change in East Kalimantan, Indonesia13 cited
  • 2018Highlighting Racial Demonization in 3D Animated Films and Its Implications: A Semiotic Analysis of Frankenweenie7 cited
  • 2019Modelos de comunicación eficaces en las campañas de publicidad. Un análisis estratégico para la búsqueda de la eficacia7 cited
  • 2018Horror and the Gothic’s utility as a cultural resource and critical tool4 cited

Cited by

  • 2024Resistance, Conformity, and Negotiation to Socio-cultural Anxieties: A Semiotic Reading of Female Aswang Characters in Selected Philippine Horror Films4 cited

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