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Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness”
16 references·0 citing·44 second hop
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References

  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 1995Gender, Race and Class in Media. A Text-Reader.477 cited
  • 2006Extreme Metal: Music and Culture on the Edge465 cited
  • 1999Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation382 cited
  • 2006Color-Blind Ideology and the Cultural Appropriation of Hip-Hop200 cited
  • 2005Hip-hop Realness and the White Performer109 cited
  • 2001“I Want to be the Minority”71 cited
  • 2013Heavy Metal: Controversies and Countercultures69 cited
  • 2012Nazi punks folk off: leisure, nationalism, cultural identity and the consumption of metal and folk music53 cited
  • 2005Alienation Incorporated: ‘F*** the Mainstream Music’ in the Mainstream41 cited
  • 2013White Savagery and Humiliation, or a New Racial Consciousness in the Media35 cited
  • 2002Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience34 cited
  • 2020Metal Music and the Re-imagining of Masculinity, Place, Race and Nation26 cited
  • 2002The racial politics of hybridity and ‘neo-eclecticism’ in contemporary popular music20 cited
  • 2007Sound, text and identity in Korn’s ‘Hey Daddy’

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14 cited
  • 2009Great Satan's rage: American negativity and rap/metal in the age of supercapitalism14 cited
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