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The Importance of Preventive Analysis in Heritage Science: MA-XRF Supporting the Restoration of Madonna with Child by Mantegna
16 references·0 citing·43 second hop
The Importance of Preventive Analysis in Heritage Science: MA-XRF Supporting the Restoration of Madonna with Child by Mantegna (2023)The Importance of Preventive Analysis in …The combined use of SEM-EDX, Raman, ATR-FTIR and visible reflectance techniques for the characterisation of Roman wall painting pigments from Monte d’Oro area (Rome): an insight into red, yellow and pink shades (2021)The combined use of SEM-EDX, …MA-XRF for the Characterisation of the Painting Materials and Technique of the Entombment of Christ by Rogier van der Weyden (2021)MA-XRF for the Characterisati…Detectors and Cultural Heritage: The INFN-CHNet Experience (2021)Detectors and Cultural Herita…Non-invasive mapping methods for pigments analysis of Roman mural paintings (2020)Non-invasive mapping methods …MA-XRF for Historical Paintings: State of the Art and Perspective (2020)MA-XRF for Historical Paintin…MA-XRF imaging as a tool to characterize the 16th century heraldic stained-glass panels in Ghent Saint Bavo Cathedral (2019)MA-XRF imaging as a tool to c…Development of integrated innovative techniques for paintings examination: The case studies of The Resurrection of Christ attributed to Andrea Mantegna and the Crucifixion of Viterbo attributed to Michelangelo's workshop (2019)Development of integrated inn…A multipurpose X-ray fluorescence scanner developed for in situ analysis (2019)A multipurpose X-ray fluoresc…A blue can conceal another! Noninvasive multispectroscopic analyses of mixtures of indigo and Prussian blue (2019)A blue can conceal another! N…In situ macro X-ray fluorescence (MA-XRF) scanning as a non-invasive tool to probe for subsurface modifications in paintings by P.P. Rubens (2018)In situ macro X-ray fluoresce…Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Recent developments in spectr…Macro X-ray fluorescence scanning (MA-XRF) as tool in the authentication of paintings (2017)Macro X-ray fluorescence scan…Macro X-ray fluorescence (MA-XRF) scanning of illuminated manuscript fragments: potentialities and challenges (2015)Macro X-ray fluorescence (MA-…Chemical imaging of stained-glass windows by means of macro X-ray fluorescence (MA-XRF) scanning (2015)Chemical imaging of stained-g…Galileo's writings: chronology by PIXE (1995)Galileo's writings: chronolog…I. Azurite and Blue Verditer (1966)I. Azurite and Blue VerditerAnnales historico-naturales Musei Nationalis Hungarici. (1911)Ancient Egyptian Materials and Industries (1948)VERMILION AND CINNABAR (1972)Spectrochemical characterization by micro-FTIR spectroscopy of blue pigments in different polychrome works of art (1999)Painting Materials: A Short Encyclopedia (2011)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Use of microscopic XRF for non-destructive analysis in art and archaeometry (2000)Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments (2017)Macroscopic X-ray Powder Diffraction Scanning, a New Method for Highly Selective Chemical Imaging of Works of Art: Instrument Optimization (2018)Infrared Spectroscopy in Conservation Science (2000)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique (2018)The Vinland map, revisited: new compositional evidence on its inks and parchment (1987)Study of Gustave Moreau's black drawings: identification of the graphic materials by Raman microspectrometry and PIXE (2004)Historical iron gall ink containing documents — Properties affecting their condition (2005)Spectroscopic Techniques in Cultural Heritage Conservation: A Survey (2005)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Joint data treatment for Vis–NIR reflectance imaging spectroscopy and XRF imaging acquired in the Theban Necropolis in Egypt by data fusion and t-SNE (2018)X‐ray Diffraction Mapping for Cultural Heritage Science: a Review of Experimental Configurations and Applications (2019)Pigment Compendium: A Dictionary of Historical Pigments (2007)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)An automatic hyperspectral scanning system for the technical investigations of Chinese scroll paintings (2020)The importance of being little: MA‐XRF on manuscripts on a Venetian island (2020)Handheld XRF for Art and Archaeology (2013)PLS-DA and data fusion of visible Reflectance, XRF and FTIR spectroscopy in the classification of mixed historical pigments (2021)Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique (2017)Characterisation of ancient Roman wall‐painting fragments using non‐destructive IBA and MA‐XRF techniques (2020)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Multispectral imaging of paintings (2008)Hyperspectral imaging combined with data classification techniques as an aid for artwork authentication (2017)Surface and Interface Investigation of a 15th Century Wall Painting Using Multispectral Imaging and Pulse-Compression Infrared Thermography (2021)Imaging Diagnostics Coupled with Non-Invasive and Micro-Invasive Analyses for the Restoration of Ethnographic Artifacts from French Polynesia (2022)From RGB camera to hyperspectral imaging: a breakthrough in Neolithic rock painting analysis (2023)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Raman microscopy in archaeological science (2004)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Study of a surface coating present on a Renaissance Piety from the Museum of Ancient Art (Castello Sforzesco, Milan) (2021)Multilayer Technology of Decorated Plasters from the domus of Marcus Vipsanus Primigenius at Abellinum (Campania Region, Southern Italy): An Analytical Approach (2022)A Multi-Analytical Approach for the Characterisation of Pigments from an Egyptian Sarcophagus Cover of the Late Dynastic Period: A Case Study (2023)
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References

  • 2017Recent developments in spectroscopic imaging techniques for historical paintings - A review177 cited
  • 2017Macro X-ray fluorescence scanning (MA-XRF) as tool in the authentication of paintings80 cited
  • 2015Macro X-ray fluorescence (MA-XRF) scanning of illuminated manuscript fragments: potentialities and challenges76 cited
  • 2015Chemical imaging of stained-glass windows by means of macro X-ray fluorescence (MA-XRF) scanning56 cited
  • 2019Development of integrated innovative techniques for paintings examination: The case studies of The Resurrection of Christ attributed to Andrea Mantegna and the Crucifixion of Viterbo attributed to Michelangelo's workshop54 cited
  • 1995Galileo's writings: chronology by PIXE54 cited
  • 1966I. Azurite and Blue Verditer49 cited
  • 2018In situ macro X-ray fluorescence (MA-XRF) scanning as a non-invasive tool to probe for subsurface modifications in paintings by P.P. Rubens46 cited
  • 2019A multipurpose X-ray fluorescence scanner developed for in situ analysis46 cited
  • 2021The combined use of SEM-EDX, Raman, ATR-FTIR and visible reflectance techniques for the characterisation of Roman wall painting pigments from Monte d’Oro area (Rome): an insight into red, yellow and pink shades42 cited
  • 2021Detectors and Cultural Heritage: The INFN-CHNet Experience40 cited
  • 2020Non-invasive mapping methods for pigments analysis of Roman mural paintings38 cited
  • 2021MA-XRF for the Characterisation of the Painting Materials and Technique of the Entombment of Christ by Rogier van der Weyden

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36 cited
  • 2019MA-XRF imaging as a tool to characterize the 16th century heraldic stained-glass panels in Ghent Saint Bavo Cathedral34 cited
  • 2019A blue can conceal another! Noninvasive multispectroscopic analyses of mixtures of indigo and Prussian blue33 cited
  • 2020MA-XRF for Historical Paintings: State of the Art and Perspective23 cited
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