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‘Papa, I am gay, please, love me’: Politics of censorship and queer representation in Bollywood
16 references·1 citing·42 second hop
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References

  • 2017Economic and Political Weekly8,972 cited
  • 1994Feminism and Empowerment: A Critical Reading of Foucault289 cited
  • 2002Screening Asian Americans143 cited
  • 2012Censorship In South Asia Cultural Regulation From Sedition To Seduction128 cited
  • 2002SYMBOLIC REALITY BITES: WOMEN AND RACIAL/ETHNIC MINORITIES IN MODERN FILM84 cited
  • 2017Digital Queer Cultures in India71 cited
  • 2000Too Hot to Handle: The Cultural Politics of Fire64 cited
  • 2000Globalisation and Representations of Women in Indian Cinema60 cited
  • 2005Globalizing Bombay Cinema54 cited
  • 2006Loving Women: Being Lesbian in Unprivileged India53 cited
  • 2010Reframing Bollywood: Theories of Popular Hindi Cinema44 cited
  • 1998On Fire42 cited
  • 2012Censorship and sexuality in Bombay cinema40 cited
  • 2008Modernity, Globality, Sexuality, and the City:A Reading of Indian Cinema33 cited
  • 1998ALLEGORY, NATIONALISM AND CULTURAL CHANGE IN INDIAN CINEMA: SANT TUKARAM122 cited
  • 2014The Inter-Asia Cultural Studies Reader15 cited

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Cited by

  • 2024The Politics and Aesthetics of Male Homosexuality in Malayalam Cinema: Contextualizing the Film Ka Bodyscapes (2016)4 cited