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HPLC–HR-ESI–MS/MS identification of fluorescent dyes and optical brighteners and their degradation products in daylight fluorescent paints
7 references·0 citing·28 second hop
HPLC–HR-ESI–MS/MS identification of fluorescent dyes and optical brighteners and their degradation products in daylight fluorescent paints (2023)HPLC–HR-ESI–MS/MS identification of fluor…The light aging behavior of daylight fluorescent paints: a colorimetric, photographic, Raman spectroscopic and fluorescence spectroscopic study (2022)The light aging behavior of d…The brightest colors: A Fourier‐transform Raman, surface‐enhanced Raman, and thin‐layer chromatography‐surface‐enhanced Raman spectroscopy study of fluorescent artists' paints (2020)The brightest colors: A Fouri…Multi-modal approach for the characterization of resin carriers in Daylight Fluorescent Pigments (2020)Multi-modal approach for the …The shining brightness of daylight fluorescent pigments: Raman and SERS study of a modern class of painting materials (2019)The shining brightness of day…Fluorimetric Analysis of the Constituent Dyes Within Daylight Fluorescent Pigments: Implications for Display and Preservation of Daylight Fluorescent Artwork (2013)Fluorimetric Analysis of the …Large-scale assessment of light-induced color change in air and anoxic environments (2012)Large-scale assessment of lig…Evaluation of Appearance and Fading of Daylight Fluorescent Watercolors (2005)Evaluation of Appearance and …Color science in the examination of museum objects: Nondestructive procedures (2002)Analytical Techniques in Materials Conservation (2007)Light for Art's Sake (2007)Shedding Light on Daylight Fluorescent Artists’ Pigments, Part 1: Composition (2021)National Gallery Technical Bulletin (1979)Predicting The Fading of Objects: Identification of Fugitive Colorants Through Direct Nondestructive Lightfastness Measurements (1999)British Museum Technical Research Bulletin (2009)Micro-fading spectrometry: investigating the wavelength specificity of fading (2014)Photochemical colour change for traditional watercolour pigments in low oxygen levels (2014)Change is permanent: thoughts on the fading of cochineal-based watercolor pigments (2017)Fluorescence of Paint and Varnish Layers (Part III) (1982)Effects of Plant Dyes, Watercolors and Acrylic Paints on the Colorfastness of Japanese Tissue Papers (2016)Fluorescent Paints in Contemporary Murals: A Case Study (2023)Personal Communication (2024)Identification of synthetic organic pigments: the role of a comprehensive digital Raman spectral library (2012)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)Application of Raman Spectroscopy to Ancient Materials: Models and Results from Archaeometric Analyses (2020)Shedding light on the composition and degradation mechanism of dyes in historical ink's collection (19th-20th century) (2023)Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art (2006)Russian avant‐garde… or not? A micro‐Raman spectroscopy study of six paintings attributed to Liubov Popova (2010)TLC‐SERS study of Syrian rue (Peganum harmala) and its main alkaloid constituents (2012)First results on headspace-solid phase microextraction-gas chromatography/mass spectrometry of volatile organic compounds emitted by wax objects in museums (2008)μ-XRF/μ-RS vs. SR μ-XRD for pigment identification in illuminated manuscripts (2008)What do plastics emit? HS-SPME-GC/MS analyses of new standard plastics and plastic objects in museum collections (2012)Towards FAIR Data Management in Heritage Science Research: Updates and Progress on the INFRA-ART Spectral Library (2024)Color Science in the Examination of Museum Objects (2002)Los Angeles: The Getty Conservation Institute (2003)Analysis of modern paints (2004)
this work references cited by second hop

References

  • 2012Large-scale assessment of light-induced color change in air and anoxic environments33 cited
  • 2019The shining brightness of daylight fluorescent pigments: Raman and SERS study of a modern class of painting materials28 cited
  • 2005Evaluation of Appearance and Fading of Daylight Fluorescent Watercolors23 cited
  • 2020The brightest colors: A Fourier‐transform Raman, surface‐enhanced Raman, and thin‐layer chromatography‐surface‐enhanced Raman spectroscopy study of fluorescent artists' paints21 cited
  • 2013Fluorimetric Analysis of the Constituent Dyes Within Daylight Fluorescent Pigments: Implications for Display and Preservation of Daylight Fluorescent Artwork16 cited
  • 2022The light aging behavior of daylight fluorescent paints: a colorimetric, photographic, Raman spectroscopic and fluorescence spectroscopic study10 cited
  • 2020Multi-modal approach for the characterization of resin carriers in Daylight Fluorescent Pigments10 cited

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