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Minero‐chemical and provenance analysis of Achaemenian lapis lazuli cylinders from Persepolis
16 references·0 citing·45 second hop
Minero‐chemical and provenance analysis of Achaemenian lapis lazuli cylinders from Persepolis (2023)Minero‐chemical and provenance analysis o…The Meaning of Color in Ancient Mesopotamia (2019)The Meaning of Color in Ancie…Rocks as blue, green and black pigments/dyes of glazed pottery and enamelled glass artefacts ? A review (2013)Rocks as blue, green and blac…New markers to identify the provenance of lapis lazuli: trace elements in pyrite by means of micro-PIXE (2013)New markers to identify the p…Critical Approaches to Ancient Near Eastern Art (2013)Critical Approaches to Ancien…Characterization of lapis lazuli and corresponding purified pigments for a provenance study of ultramarine pigments used in works of art (2011)Characterization of lapis laz…Persepolis II: Contents of the Treasury and Other Discoveries (2010)Persepolis II: Contents of th…The Achaemenid Empire (2009)The Achaemenid EmpireMultitechnique characterization of lapis lazuli for provenance study (2009)Multitechnique characterizati…Characterization of Lapis Lazuli Pigments Using a Multitechnique Analytical Approach: Implications for Identification and Geological Provenancing (2009)Characterization of Lapis Laz…The Use of Egyptian Blue and Lapis Lazuli in the Middle Ages - The Wall Paintings of the San Saba Church in Rome (2004)The Use of Egyptian Blue and …Lapis lazuli as unexpected blue pigment in Iranian Lâjvardina ceramics (2003)Lapis lazuli as unexpected bl…Patterns of trade in third‐millennium BC Mesopotamia and Iran (1993)Patterns of trade in third‐mi…Color Terminology and Color Classification: Ancient Egyptian Color Terminology and Polychromy (1985)Color Terminology and Color C…Early trade in highland Iran: A view from a source area (1973)Early trade in highland Iran:…Lapis Lazuli: The Early Phases of Its Trade (1968)Lapis Lazuli: The Early Phase…Persepolis I. 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References

  • 1968Lapis Lazuli: The Early Phases of Its Trade129 cited
  • 2003Lapis lazuli as unexpected blue pigment in Iranian Lâjvardina ceramics122 cited
  • 2010Persepolis II: Contents of the Treasury and Other Discoveries114 cited
  • 1957Persepolis I. Structures, Reliefs, Inscriptions109 cited
  • 2009Characterization of Lapis Lazuli Pigments Using a Multitechnique Analytical Approach: Implications for Identification and Geological Provenancing90 cited
  • 2009The Achaemenid Empire87 cited
  • 2013Critical Approaches to Ancient Near Eastern Art82 cited
  • 1985Color Terminology and Color Classification: Ancient Egyptian Color Terminology and Polychromy74 cited
  • 2011Characterization of lapis lazuli and corresponding purified pigments for a provenance study of ultramarine pigments used in works of art73 cited
  • 2004The Use of Egyptian Blue and Lapis Lazuli in the Middle Ages - The Wall Paintings of the San Saba Church in Rome72 cited
  • 2009Multitechnique characterization of lapis lazuli for provenance study65 cited
  • 2013Rocks as blue, green and black pigments/dyes of glazed pottery and enamelled glass artefacts ? A review59 cited
  • 1993Patterns of trade in third‐millennium BC Mesopotamia and Iran53 cited
  • 1973Early trade in highland Iran: A view from a source area43 cited

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  • 2019The Meaning of Color in Ancient Mesopotamia41 cited
  • 2013New markers to identify the provenance of lapis lazuli: trace elements in pyrite by means of micro-PIXE37 cited
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