This article centres on two digital return projects led by Yolngu community stakeholders from North East Arnhem Land in the Northern Territory of Australia. Both projects illustrate how concepts of decolonisation and Indigenisation have been mobilised by Yolngu people within an affirmative action framework to overcome past malpractices, and to bring about a transformative environment of cultural reclamation and sovereignty. Both projects have served as pioneering models for digital return initiatives in Australia and internationally. The discussion begins by briefly addressing some of the critical differences between repatriation and the return of documentary heritage in the form of digital ‘archives’ (including collection images and provenance data, photographs, film and sound recordings). It then outlines two different but related pathways taken by Yolngu stakeholders in establishing cultural archiving projects, each centred on decolonising and indigenising museum collections through collaborative partnerships with museums and universities. Inherent in these discussions is the idea that decolonisation is complex, multi-sited and multifocal. The article concludes by arguing that museums need to be more proactive in reconnecting communities with collections. Working collaboratively with First Nations and formerly colonised peoples to restore cultural knowledge lost as a direct result of colonisation is a vital step for moving forward.
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