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Fin-de-siècle Black Minstrelsy, Itinerancy, and the Anglophone Imperial Circuit
16 references·0 citing·33 second hop
Fin-de-siècle Black Minstrelsy, Itinerancy, and the Anglophone Imperial Circuit (2023)Fin-de-siècle Black Minstrelsy, Itineranc…“The Black Below”: Minstrelsy, Satire, and the Threat of Vernacularity (2021)“The Black Below”: Minstrelsy…The Jim Crow Global South (2020)The Jim Crow Global SouthSpirituals and the Birth of a Black Entertainment Industry (2018)Spirituals and the Birth of a…Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890. (2010)Empire of Culture: U.S. Enter…Babylon Girls (2008)Babylon GirlsStaging Race (2006)Staging RaceDemonic Grounds: Black Women And The Cartographies Of Struggle (2006)Demonic Grounds: Black Women …Out of sight: the rise of African American popular music, 1889-1895 (2003)Out of sight: the rise of Afr…Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (2001)Scenes of Subjection: Terror,…Resistance, Parody, and Double Consciousness in African-American Theatre, 1895-1910 (2000)Resistance, Parody, and Doubl…On the Real Side: Laughing, Lying, and Signifying--The Underground Tradition of African-American Humor That Transformed American Culture, from Slavery to Richard Pryor. (1995)On the Real Side: Laughing, L…The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity…African stars: studies in Black South African performance (1992)African stars: studies in Bla…From Minstrel Show to Vaudeville: The Australian Popular Stage, 1788-1914 (1990)From Minstrel Show to Vaudevi…100 Years of the Negro in show business (1984)100 Years of the Negro in sho…Blacking up. The Minstrel Show in Nineteenth-Century America (1976)Blacking up. The Minstrel Sho…Blues, Ideology, and Afro-American Literature (1984)Scenes of subjection: terror, slavery, and self-making in nineteenth-century America (1998)On plantations, prisons, and a black sense of place (2011)Mathematics Black Life (2014)Predatory Value (2018)Black Feminist Thought (2024)Uncle Tom's Cabin: Before and After the Jim Crow Era (2000)Bulldaggers, Pansies, and Chocolate Babies (2010)Metroimperial Intimacies (2015)Methodological Nationalism, the Social Sciences, and the Study of Migration: An Essay in Historical Epistemology (2003)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)Passed Away Is the Piano Girl: Changes in American Musical Life, 1870–1900 (1986)You Must Be Joking: The Sociological Critique of Humour and Comic Media (2008)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)“This voice which is not one”: Amy Winehouse sings the ballad of sonic blue(s)face culture (2010)Race, Blacksound, and the (Re)Making of Musicological Discourse (2019)Twerk sumn!: theorizing Black girl epistemology in the body (2020)A critical performance pedagogy that matters (2009)The ‘Other’ Laughs Back: Humour and Resistance in Anti-racist Comedy (2010)Brownface Minstrelsy: “José Jiménez,” the Civil Rights Movement, and the legacy of racist comedy (2014)Interpreting world music: a challenge in theory and practice (1997)Mirror, Mediator, and Prophet: The Music Indaba of Late-Apartheid South Africa (1998)The Modern Girl Around the World (2008)Feminism and Cultural Memory: An Introduction (2002)Gramsci's Black Marx: Whither the Slave in Civil Society? (2003)The Promise of Empathy (2019)Australia, a cultural history (1988)World English? How an Australian Invented ‘Good American Speech’ (2007)Staged savagery: Archibald Meston and his Indigenous exhibits (2016)Ashley Street Blues: Racial Uplift and the Commodification of Vernacular Performance in Lavilla, Florida, 1896-1916 (2006)Musical Styles and Song Conventions (2012)The Filmed Musical (2012)
this work references cited by second hop

References

  • 1994The Black Atlantic: Modernity and Double Consciousness7,512 cited
  • 2006Demonic Grounds: Black Women And The Cartographies Of Struggle2,722 cited
  • 2001Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America371 cited
  • 2008Babylon Girls204 cited
  • 1992African stars: studies in Black South African performance196 cited
  • 2000Resistance, Parody, and Double Consciousness in African-American Theatre, 1895-1910148 cited
  • 2003Out of sight: the rise of African American popular music, 1889-1895132 cited
  • 1976Blacking up. The Minstrel Show in Nineteenth-Century America105 cited
  • 2006Staging Race65 cited
  • 1990From Minstrel Show to Vaudeville: The Australian Popular Stage, 1788-191459 cited
  • 1995On the Real Side: Laughing, Lying, and Signifying--The Underground Tradition of African-American Humor That Transformed American Culture, from Slavery to Richard Pryor.58 cited
  • 1984100 Years of the Negro in show business50 cited
  • 2018Spirituals and the Birth of a Black Entertainment Industry40 cited
  • 2010Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890.20 cited
  • 2021“The Black Below”: Minstrelsy, Satire, and the Threat of Vernacularity

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16 cited
  • 2020The Jim Crow Global South11 cited
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