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Abstract This paper brings together urban planning and linguistic perspectives to examine the semiotic landscape of a Washington, DC ‘streatery’ in the context of the intersecting public health- and place-based economic crises unleashed by the Covid-19 pandemic. Drawing from Garay-Huamán and Irazábal-Zurita’s (2021) work on neoliberal Social Structures of Accumulation (SSA), we examine how different layers of Adams Morgan’s emergent Covid landscape are rooted in the dynamics of capitalist accumulation through urban placemaking strategies. We focus on signs put up by the Business Improvement District (BID) that explain the public health regulations applicable to the area through discourse that playfully encourages people to social distance and wear masks. These signs utilize three linguistic or semiotic discourses: hygiene, humor and play, and anti-Trump politics. The signs serve as a bona fide effort to both halt the spread of the coronavirus and take a political stance. At the same time as the signs promote public health, their commodified aestheticization of hygiene and politics also serves commercial interests.
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