The Predicament of Suzhou Embroidery: Implications of Intangible Cultural Heritage in China

Abstract

Suxiu, “Suzhou embroidery,” is one of the major styles of traditional Chinese embroidery. In 2006, Suxiu was listed as the National Intangible Cultural Heritage (ICH) of China. Although the official media highlight the glory of Suxiu and its cultural significance as ICH, the industry has encountered great difficulties and challenges for the last 20 years. This paper explores the predicament of Suxiu and the far-reaching impacts of the China’s ICH policies on the embroidery industry. It argues that the state policies fail to provide community members with equal participatory opportunities in the heritage industry. Instead, it creates intragroup hierarchy and classification, favoring certain members while excluding others. More specifically, it examines local embroiderers’ different attitudes and reactions toward the ICH system, thus illustrating how the top-down policies affect the sociocultural process of recognition. It aims to offer a critical reflection on how China’s industrialization and ICH policies have transformed the nation’s handicraft industry.

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