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Tech start-up capitalisation in an oligopolistic copyright industry: the case of the contemporary music industry
16 references·0 citing·54 second hop
Tech start-up capitalisation in an oligopolistic copyright industry: the case of the contemporary music industry (2023)Tech start-up capitalisation in an oligop…Towards an economic geography of FinTech (2020)Towards an economic geography…The Platform Political Economy of FinTech: Reintermediation, Consolidation and Capitalisation (2020)The Platform Political Econom…Is music streaming bad for musicians? 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References

  • 2017Platform capitalism: The intermediation and capitalisation of digital economic circulation1,122 cited
  • 2010Platform Envelopment829 cited
  • 2019The Business of Platforms: Strategy in the Age of Digital Competition, Innovation, and Power631 cited
  • 2020The Platform Political Economy of FinTech: Reintermediation, Consolidation and Capitalisation251 cited
  • 2005Success and Risk Factors in the Pre-Startup Phase222 cited
  • 2012Formation of entrepreneurial intentions in a regional context201 cited
  • 2013Show Me the Right Stuff: Signals for High‐Tech Startups184 cited
  • 2015‘Let's keep music special. F—Spotify’: on-demand streaming and the controversy over artist royalties156 cited
  • 2003When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution137 cited
  • 2020Is music streaming bad for musicians? Problems of evidence and argument135 cited
  • 2004The transformation of the music industry supply chain130 cited
  • 2020Towards an economic geography of FinTech128 cited
  • 2017The Spotify Effect: Digital Distribution and Financial Growth119 cited
  • 2018From creator to data: the post-record music industry and the digital conglomerates116 cited
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From Music Publishing to MP3: Music and Industry in the Twentieth Century
111 cited
  • 2019Strategic coupling between finance, technology and the state: Cultivating a Fintech ecosystem for incumbent finance109 cited
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