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The Shortest Distance Between Gamelan and Electronics: Creating a “nexus of understanding” at Martin Bartlett’s Summer Intensives (Vancouver, 1986–1992)
4 references·0 citing·14 second hop
The Shortest Distance Between Gamelan and Electronics: Creating a “nexus of understanding” at Martin Bartlett’s Summer Intensives (Vancouver, 1986–1992) (2023)The Shortest Distance Between Gamelan and…Indonesian Cultural Diplomacy and the First International Gamelan Festival and Symposium at Expo 86 (2020)Indonesian Cultural Diplomacy…Three Eras of Indonesian Arts Diplomacy (2019)Three Eras of Indonesian Arts…Fields of interaction: From shadow play theatre to media performance (2006)Fields of interaction: From s…American Gamelan in the Garden of Eden: Intonation in a Cross-Cultural Encounter (1994)American Gamelan in the Garde…Covert and Casual Values in Recent Writings about Music (1987)Issues of Pastiche and Illusions of Authenticity in Gamelan-Inspired Composition (2007)Lou Harrison’s Music for Western Instruments and Gamelan: Even More Western than It Sounds (2008)A Platonic Model of Funky Rhythms (2016)Between Theater and Anthropology (1985)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Open Work (1989)Future delta 2.0 an experiential learning context for a serious game about local climate change (2015)The Politics of Recognition (1994)Cosmopolitan Patriots (1997)Metaculture: How Culture Moves through the World (2001)Forces for change in the regional performing arts of Indonesia (1995)Musical Encounters at the 1889 Paris World's Fair (2005)Javaphilia (2015)
this work references cited by second hop

References

  • 1994American Gamelan in the Garden of Eden: Intonation in a Cross-Cultural Encounter28 cited
  • 2019Three Eras of Indonesian Arts Diplomacy23 cited
  • 2006Fields of interaction: From shadow play theatre to media performance6 cited
  • 2020Indonesian Cultural Diplomacy and the First International Gamelan Festival and Symposium at Expo 862 cited

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