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A Study on the Materials Used in the Ancient Architectural Paintings from the Qing Dynasty Tibetan Buddhist Monastery of Puren, China
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References

  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art376 cited
  • 2015Proteins in Art, Archaeology, and Paleontology: From Detection to Identification172 cited
  • 2008Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage149 cited
  • 2017Analytical pyrolysis of proteins in samples from artistic and archaeological objects148 cited
  • 2003Analysis of pigments from Roman wall paintings found in Vicenza121 cited
  • 2014Tip-Enhanced Raman Spectroscopy (TERS) for in Situ Identification of Indigo and Iron Gall Ink on Paper107 cited
  • 2006Investigation of degradation mechanisms by portable Raman spectroscopy and thermodynamic speciation: The wall painting of Santa María de Lemoniz (Basque Country, North of Spain)104 cited
  • 2016Raman spectroscopy of green minerals and reaction products with an application in Cultural Heritage research82 cited
  • 2006Applied analysis of lacquer films based on pyrolysis-gas chromatography/mass spectrometry79 cited
  • 2005Study of Burseraceae resins used in binding media and varnishes from artworks by gas chromatography–mass spectrometry and pyrolysis-gas chromatography–mass spectrometry78 cited
  • 2011Identification of Organic Materials in Historic Oil Paintings Using Correlated Extractionless Surface-Enhanced Raman Scattering and Fluorescence Microscopy75 cited

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  • 2006Gas chromatography/mass spectrometry characterization of historical varnishes of ancient Italian lutes and violin74 cited
  • 2004Microanalysis study of archaeological mural samples containing Maya blue pigment66 cited
  • 2012Micro‐Raman spectroscopic analysis of inks and pigments in illuminated medieval old‐Slavonic manuscripts62 cited
  • 2016Analysis of artist’s palette on a 16th century wood panel painting by portable and laboratory Raman instruments61 cited
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