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Interpreting the ‘rural mural’ phenomenon: Creative place-making in rural towns in South and Mid Canterbury, Aotearoa New Zealand
15 references·0 citing·48 second hop
Interpreting the ‘rural mural’ phenomenon: Creative place-making in rural towns in South and Mid Canterbury, Aotearoa New Zealand (2023)Interpreting the ‘rural mural’ phenomenon…Local benevolent property development entrepreneurs in small town regeneration (2021)Local benevolent property dev…Designing creative places: The role of creative tourism (2020)Designing creative places: Th…Revealing regional regeneration projects in three small towns in Aotearoa—New Zealand (2019)Revealing regional regenerati…The role of trails in the creation of tourist space (2016)The role of trails in the cre…Imagining Shared Space (2016)Imagining Shared SpaceHeaven, Hell, and Everything in Between: Murals of the Colonial Andes (2016)Heaven, Hell, and Everything …Putting pinot alongside merino in Cromwell District, Central Otago, New Zealand: Rural amenity and the making of the global countryside (2015)Putting pinot alongside merin…Matching the process to the challenge within small town regeneration (2015)Matching the process to the c…Creative cities and sustainable development: mural-based tourism as a local public strategy (2013)Creative cities and sustainab…Reclaiming the Nation through Public Murals (2009)Reclaiming the Nation through…Putting down routes: an examination of local government cultural policy shaping the development of heritage trails (2008)Putting down routes: an exami…Sites of Identity and Resistance: Urban Community Murals and Rural Wall Decoration in South Africa (2002)Sites of Identity and Resista…Gazing or Performing? (2001)Gazing or Performing?The Murals of Moose Jaw: Commodification or Articulation of the Past? (2000)The Murals of Moose Jaw: Comm…Naming as Norming: ‘Race’, Gender, and the Identity Politics of Naming Places in Aotearoa/New Zealand (1996)Naming as Norming: ‘Race’, Ge…Time and the Other: How Anthropology Makes Its Object (1983)Yearning: Race, Gender, and Cultural Politics (1990)From medical to health geography: novelty, place and theory after a decade of change (2002)Participatory video in geographic research: a feminist practice of looking? (2003)Geographies of toponymic inscription: new directions in critical place-name studies (2009)Place and Placelessness (2018)Analyzing social settings : a guide to qualitative observation and analysis (1971)Places and Their Pasts (1995)The amenity migrants: seeking and sustaining mountains and their cultures (2006)Who is consuming the countryside? 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Rule bending and rule breaking in the British Army (2010)The art of development: economic and cultural development through art in San Juan la Laguna, Guatemala (2016)Viewing Gendered Violence in Guatemala Through Photovoice (2017)
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References

  • 2020Designing creative places: The role of creative tourism432 cited
  • 1996Naming as Norming: ‘Race’, Gender, and the Identity Politics of Naming Places in Aotearoa/New Zealand243 cited
  • 2001Gazing or Performing?227 cited
  • 2016The role of trails in the creation of tourist space73 cited
  • 2015Putting pinot alongside merino in Cromwell District, Central Otago, New Zealand: Rural amenity and the making of the global countryside43 cited
  • 2008Putting down routes: an examination of local government cultural policy shaping the development of heritage trails33 cited
  • 2015Matching the process to the challenge within small town regeneration32 cited
  • 2013Creative cities and sustainable development: mural-based tourism as a local public strategy18 cited
  • 2002Sites of Identity and Resistance: Urban Community Murals and Rural Wall Decoration in South Africa17 cited
  • 2009Reclaiming the Nation through Public Murals17 cited
  • 2021Local benevolent property development entrepreneurs in small town regeneration16 cited
  • 2016Heaven, Hell, and Everything in Between: Murals of the Colonial Andes15 cited
  • 2016Imagining Shared Space13 cited
  • 2019Revealing regional regeneration projects in three small towns in Aotearoa—New Zealand12 cited

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2000
The Murals of Moose Jaw: Commodification or Articulation of the Past?
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