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The labor market returns of being an artist: evidence from the United States, 2006–2021
16 references·0 citing·46 second hop
The labor market returns of being an artist: evidence from the United States, 2006–2021 (2023)The labor market returns of being an arti…Women artists: gender, ethnicity, origin and contemporary prices (2021)Women artists: gender, ethnic…The Impact of the Increasing Popularity of Digital Art on the Current Job Market for Artists (2021)The Impact of the Increasing …Gendered Prices (2021)Gendered PricesWhat makes an artist? The evolution and clustering of creative activity in the US since 1850 (2020)What makes an artist? The evo…Art and gender: market bias or selection bias? (2019)Art and gender: market bias o…Ranking Firms Using Revealed Preference* (2018)Ranking Firms Using Revealed …Why Should Economists be Interested in Cultural Policy? (2012)Why Should Economists be Inte…Economic analysis of artists' behaviour: some current issues (2010)Economic analysis of artists'…Chapter 23 Artists' Careers and Their Labor Markets (2006)Chapter 23 Artists' Careers a…Cultural Capital (1999)Cultural CapitalEconomic circumstances of the performing artist: Baumol and Bowen thirty years on (1996)Economic circumstances of the…The Production and Consumption of the Arts: A View of Cultural Economics (1994)The Production and Consumptio…A Work-Preference Model of Artist Behaviour (1994)A Work-Preference Model of Ar…On justifications for public support of the arts (1991)On justifications for public …The "Starving Artist"--Myth or Reality? Earnings of Artists in the United States (1986)The "Starving Artist"--Myth o…Performing Arts: The Economic Dilemma. (1968)Performing Arts: The Economic…The Winner-Take-All Society (1996)Orchestrating Impartiality: The Impact of “Blind” Auditions on Female Musicians (2000)The Economics of Superstars (2009)The happy artist: an empirical application of the work-preference model (2012)Who is an artist? New data for an old question (2014)Who Goes Freelance? The Determinants of Self-Employment for Artists (2017)The Market for "Lemons": Quality Uncertainty and the Market Mechanism (1970)A Theory of Rational Addiction (1988)Hardware gimmick or cultural innovation? Technological, cultural, and social foundations of the Japanese video game industry (2003)Four models of the creative industries (2008)The Theory of the Leisure Class (2009)TALENT AND/OR POPULARITY: WHAT DOES IT TAKE TO BE A SUPERSTAR? (2010)MACROECONOMICS OF UNBALANCED GROWTH: THE ANATOMY OF THE URBAN CRISES (1967)The Role of Nonprofit Enterprise (1980)Determining the size of museum subsidies (1994)Assessing the Role of the Arts and Cultural Industries in a Local Economy (2000)UNCERTAINTY AND THE WELFARE ECONOMICS OF MEDICAL CARE (2003)The Merits of Merit Goods: Local Journalism and Public Policy in a Time of Austerity (2016)SOME THOUGHTS ON THE DISTRIBUTION OF EARNINGS 1 (1951)Shadow Prices, Market Wages, and Labor Supply (1974)The job creation potential of the service sector in Europe (2002)Multiple job holding: the artist's labour supply approach (2011)With their feet on the ground: a quantitative study of music students’ attitudes towards entrepreneurship education (2018)Social Capital in the Creation of Human Capital (1988)Culture Shift in Advanced Industrial Society (1990)Accounting for Tastes (1996)Urban Informality: Toward an Epistemology of Planning (2005)Cultural capital and its effects on education outcomes (2009)Understanding Value Creation in Social Entrepreneurship: The Importance of Aligning Mission, Strategy and Impact Measurement (2011)Power and Centrality: A Family of Measures (1987)Job Creation and Job Destruction in the Theory of Unemployment (1994)Income Inequality in the United States, 1913-1998 (2003)A Distributional Framework for Matched Employer Employee Data (2019)Imperfect Competition, Compensating Differentials, and Rent Sharing in the US Labor Market (2021)Reallocation Effects of the Minimum Wage (2021)Power Laws in Economics and Finance (2009)Buying Beauty: On Prices and Returns in the Art Market (2012)An empirical analysis of price differences for male and female artists in the global art market (2021)Pricing art and the art of pricing: On returns and risk in art auction markets (2021)Real and Private-Value Assets (2021)Mental Accounting and Consumer Choice (1985)Does Culture Affect Economic Outcomes? (2006)Estimating Standard Errors in Finance Panel Data Sets: Comparing Approaches (2008)Machine learning methods in finance: Recent applications and prospects (2022)Nonprofit Enterprise in the Performing Arts (1981)The Cultural Industries Production System: A Case Study of Employment Change in Britain, 1984–91 (1997)
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References

  • 1994The Production and Consumption of the Arts: A View of Cultural Economics660 cited
  • 1999Cultural Capital486 cited
  • 1968Performing Arts: The Economic Dilemma.357 cited
  • 2018Ranking Firms Using Revealed Preference*344 cited
  • 1986The "Starving Artist"--Myth or Reality? Earnings of Artists in the United States163 cited
  • 1994A Work-Preference Model of Artist Behaviour159 cited
  • 2006Chapter 23 Artists' Careers and Their Labor Markets118 cited
  • 1991On justifications for public support of the arts56 cited
  • 2021Gendered Prices50 cited
  • 2019Art and gender: market bias or selection bias?49 cited
  • 2010Economic analysis of artists' behaviour: some current issues35 cited
  • 2020What makes an artist? The evolution and clustering of creative activity in the US since 185031 cited
  • 1996Economic circumstances of the performing artist: Baumol and Bowen thirty years on31 cited
  • 2021The Impact of the Increasing Popularity of Digital Art on the Current Job Market for Artists26 cited
  • 2012Why Should Economists be Interested in Cultural Policy?20 cited
  • 2021

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Women artists: gender, ethnicity, origin and contemporary prices
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