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"Contradiction pushes me to improvise": Performer Expressivity and Engagement in Distanced Movement Performance Paradigms
16 references·3 citing·44 second hop
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this work references cited by second hop

References

  • 2004Matching robot appearance and behavior to tasks to improve human-robot cooperation794 cited
  • 2004Music Scenes437 cited
  • 2021The impact of the COVID-19 pandemic on the creative industries: A literature review and future research agenda353 cited
  • 2022From video streaming to virtual reality worlds: an academic, reflective, and creative study on live theatre and performance in the metaverse99 cited
  • 2014Understanding audience participation in an interactive theater performance81 cited
  • 2019Understanding Kinaesthetic Creativity in Dance72 cited
  • 2020Staying in, rocking out: Online live music portal shows during the coronavirus pandemic67 cited
  • 2006Movement-based interactive dance performance59 cited
  • 2021Five months under COVID-19 in the cultural sector: a German perspective58 cited
  • 2018Choreomorphy49 cited
  • 2016Distributed Liveness46 cited
  • 2019Live Streaming as Co-Performance45 cited
  • 2021A New Paradigm of Engagement for the Socially Distanced Artist34 cited
  • 2020The Chinese dance: a mirror of cultural representations33 cited
  • 2012Bodies in critique32 cited

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2018
Dynamic Inheritance: Representative Works and the Authoring of Tradition in Chinese Dance
28 cited

Cited by

  • 2025"Becoming My Own Audience": How Dancers React to Avatars Unlike Themselves in Motion Capture-Supported Live Improvisational Performance.18 cited
  • 2025"It's Like Being On Stage": Conveying Dancers' Expressiveness Through A Haptic-Installed Contemporary Dance Performance15 cited
  • 2024THE PRESENT IS IN THE FUTURE: Participatory Generative AI Co-Created Visions as Intangible Cultural Heritage13 cited