The last attempt did not produce a readable copy.
The last attempt did not produce a readable copy.
This essay considers chess as a particular mode of exchange in Italo Calvino’s Le città invisibili that draws upon the game’s global nature and long history of representing cross-cultural exchange, as seen in the 13th century world that Calvino evokes in the framing of his work as an exchange between Marco Polo and Kublai Khan. This focus lends itself to both an examination of Calvino’s overarching medievalism in his late novel and a look to his self-reflection in the essay on Exactitude in his Lezioni americane , where the evocation of chess in his earlier novel takes on heightened significance in Calvino’s defining of his own writerly identity. I will argue that the representation of the game is essential in analyzing not only Calvino’s thoughts on language and systems of communication and control in this late period, but also his look to the cultural other that vacillates between essentializing and the forging of global affinities.
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