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There is no end to storytelling: Transmedia storytelling in the digital mediation of music
16 references·0 citing·52 second hop
There is no end to storytelling: Transmedia storytelling in the digital mediation of music (2023)There is no end to storytelling: Transmed…TikTok and Sound: Changing the ways of Creating, Promoting, Distributing and Listening to Music (2022)TikTok and Sound: Changing th…Transmedia Storytelling: (2018)Transmedia Storytelling:The Classical Music Industry (2018)The Classical Music IndustryStar Wars and the History of Transmedia Storytelling (2018)Star Wars and the History of …Reimagining Classical Music Performing Organisations for the Digital Age (2018)Reimagining Classical Music P…Beyond the Ladder of Participation: An Analytical Toolkit for the Critical Analysis of Participatory Media Processes (2016)Beyond the Ladder of Particip…Storyworlds across Media (2014)Storyworlds across MediaTHE LABOUR OF MEDIA USE (2012)THE LABOUR OF MEDIA USEThe concept of participation. If they have access and interact, do they really participate? 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this work references cited by second hop

References

  • 2009Confronting the Challenges of Participatory Culture2,270 cited
  • 2010Production, Consumption, Prosumption2,074 cited
  • 2012The concept of participation. If they have access and interact, do they really participate?220 cited
  • 2016Beyond the Ladder of Participation: An Analytical Toolkit for the Critical Analysis of Participatory Media Processes213 cited
  • 2007Produsage : Towards a Broader Framework for User-Led Content Creation205 cited
  • 2014Storyworlds across Media175 cited
  • 2005Cultural Brands/Branding Cultures143 cited
  • 2008Doctor Who and the Convergence of Media81 cited
  • 2012THE LABOUR OF MEDIA USE39 cited
  • 2022TikTok and Sound: Changing the ways of Creating, Promoting, Distributing and Listening to Music30 cited
  • 2004Initiation Rites30 cited
  • 2018The Classical Music Industry28 cited
  • 2018Transmedia Storytelling:23 cited
  • 2009Torpedoing the authorship of popular music: a reading of Gorillaz' ‘Feel Good Inc.’13 cited
  • 2018Star Wars and the History of Transmedia Storytelling11 cited
  • 2018Reimagining Classical Music Performing Organisations for the Digital Age

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