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Abstract Fictional entertainment can serve as a vivid and easily comprehensible source of knowledge, but only if audiences are able to tell its kernel of truth apart from fantasy. In this article, we use the lens of social epistemology to develop a theoretical framework of knowledge acquisition and verification practices for fictional entertainment that integrates various extant lines of work on entertainment education, perceived realism, information processing, credibility assessment, and verification strategies. To flesh out the conceptual model derived from top-down theoretical integration, we use an inductive, bottom-up approach to theory building, assisted by qualitative research. The resulting model describes knowledge acquisition from fiction as an essentially social process characterized by a combination of epistemic trust and epistemic vigilance toward fictional content and sources, in which credibility is assessed via social knowledge sharing and verification practices.
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Stored only when both papers are in the corpus — 16 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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