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Mashup music as expression displaced and expression foregone
16 references·0 citing·29 second hop
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References

  • 2010The Oxford Handbook of Empirical Legal Research322 cited
  • 2010Mashed Up: Music, Technology, and the Rise of Configurable Culture212 cited
  • 2006Steal This Music: How Intellectual Property Law Affects Musical Creativity159 cited
  • 2016Notice and Takedown in Everyday Practice94 cited
  • 2011Reclaiming Fair Use93 cited
  • 2012Creative License: The Law and Culture of Digital Sampling90 cited
  • 2010On the Constitution of the United States of America in 178771 cited
  • 2016Notice and Takedown in Everyday Practice68 cited
  • 2009Unbundling Fair Uses48 cited
  • 2021Remix’s retreat? Content moderation, copyright law and mashup music42 cited
  • 2019An Empirical Study of Transformative Use in Copyright Law24 cited
  • 2020Comment of the European Copyright Society on Selected Aspects of Implementing Article 17 of the Directive on Copyright in the Digital Single Market Into National Law13 cited
  • 2019Sampling Increases Music Sales: An Empirical Copyright Study12 cited
  • 2022Copyrights and Copywrongs11 cited
  • 1997Black Noise: Rap Music and Black Culture in Contemporary America9 cited
  • 1991

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Current and Suggested Business Practices for the Licensing of Digital Samples
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