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(Plat)formatted Creativity: Creating Music in the Age of Streaming
16 references·3 citing·39 second hop
(Plat)formatted Creativity: Creating Music in the Age of Streaming (2023)(Plat)formatted Creativity: Creating Musi…Platforms and cultural production (2022)Platforms and cultural produc…Streaming’s Effects on Music Culture: Old Anxieties and New Simplifications (2021)Streaming’s Effects on Music …Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization (2021)Stages, Platforms, Streams: T…Music Platforms and the Optimization of Culture (2020)Music Platforms and the Optim…Spotify Teardown (2019)Spotify TeardownThe Platform Society (2018)The Platform SocietyNothing personal: algorithmic individuation on music streaming platforms (2017)Nothing personal: algorithmic…Drawing listener attention in popular music: Testing five musical features arising from the theory of attention economy (2017)Drawing listener attention in…The Platformization of the Web: Making Web Data Platform Ready (2015)The Platformization of the We…InterViews : learning the craft of qualitative research interviewing (2015)InterViews : learning the cra…The music industry: music in the cloud (2013)The music industry: music in …Thematic analysis. (2012)Thematic analysis.Qualitative Research and Theory Development: Mystery as Method (2011)Qualitative Research and Theo…Capturing Sound (2010)Capturing SoundElevator Music (2004)Elevator MusicAfrican American reviewAfrican American reviewThe Social Life of an Optimised Song: Reconstructing the Networked Cycle of Digital Music-Making (2025)The Social Life of an Optimis…Self-Brand or Be Branded Out: The Convergence of Mainstream and Independent Music Talent Scouting Under Platform Capitalism (2025)Self-Brand or Be Branded Out:…Exploring the Origins of Digital Burnout in the Music Industries and What to Do About It (2024)Exploring the Origins of Digi…The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)Control, curation and musical experience in streaming music services (2015)The Cultural Industries (2019)Platform pop: disentangling Spotify’s intermediary role in the music industry (2020)The Language of New Media (2002)Platform Competition in Two-Sided Markets (2003)4 What Is Web 2.0? Design Patterns and Business Models for the Next Generation of Software (2012)Platformisation (2019)What is platform governance? (2019)Keywords: A Vocabulary of Culture and Society (1977)Distinction: A Social Critique of the Judgement of Taste. (1985)Cultural Theory: An Anthology (2010)Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global South (2020)Artificial Communication (2022)Algorithms of Resistance (2024)Airbnb: disruptive innovation and the rise of an informal tourism accommodation sector (2013)Datafication, dataism and dataveillance: Big Data between scientific paradigm and ideology (2014)Seeing without knowing: Limitations of the transparency ideal and its application to algorithmic accountability (2016)WeChat as infrastructure: the techno-nationalist shaping of Chinese digital platforms (2019)Social Media, Echo Chambers, and Political Polarization (2020)Good Gig, Bad Gig: Autonomy and Algorithmic Control in the Global Gig Economy (2018)Culture is bad for you (2020)The Nested Precarities of Creative Labor on Social Media (2021)Platform governance at the margins: Social media creators’ experiences with algorithmic (in)visibility (2022)Doing Without Data (2014)(Un)Conditional surrender? Why do professionals willingly comply with managerialism (2016)Building Transparency and Trustworthiness in Inductive Research Through Computer-Aided Qualitative Data Analysis Software (2019)“The Future of Our Worlds” (2008)Pushing intoPrecious: Black Women, Media Representation, and the Glare of the White Supremacist Capitalist Patriarchal Gaze (2013)Racial capitalism (2019)A Method of Phenomenological Interviewing (2014)Preparing for Interview Research: The Interview Protocol Refinement Framework (2016)Quotations in Qualitative Studies: Reflections on Constituents, Custom, and Purpose (2020)Reflecting on reflexive thematic analysis (2019)One size fits all? What counts as quality practice in (reflexive) thematic analysis? (2020)Thematic Analysis (2022)What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music (2017)What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)Music as a Technology of Surveillance (2018)
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References

  • 2012Thematic analysis.9,891 cited
  • 2018The Platform Society2,934 cited
  • 2015InterViews : learning the craft of qualitative research interviewing2,617 cited
  • 2015The Platformization of the Web: Making Web Data Platform Ready1,372 cited
  • n.d.African American review417 cited
  • 2011Qualitative Research and Theory Development: Mystery as Method377 cited
  • 2022Platforms and cultural production363 cited
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  • 2010Capturing Sound297 cited
  • 2017Nothing personal: algorithmic individuation on music streaming platforms245 cited
  • 2019Spotify Teardown212 cited
  • 2020Music Platforms and the Optimization of Culture153 cited
  • 2004Elevator Music98 cited
  • 2021Streaming’s Effects on Music Culture: Old Anxieties and New Simplifications95 cited
  • 2017Drawing listener attention in popular music: Testing five musical features arising from the theory of attention economy65 cited
  • 2021Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization

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61 cited

Cited by

  • 2025Self-Brand or Be Branded Out: The Convergence of Mainstream and Independent Music Talent Scouting Under Platform Capitalism7 cited
  • 2025The Social Life of an Optimised Song: Reconstructing the Networked Cycle of Digital Music-Making5 cited
  • 2024Exploring the Origins of Digital Burnout in the Music Industries and What to Do About It5 cited