References

• 2016Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts323 cited
• 2011Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments277 cited
• 2015Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus184 cited
• 2017Recent developments in spectroscopic imaging techniques for historical paintings - A review177 cited
• 2009FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings148 cited
• 2013Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy139 cited
• 2013In-situ identification of copper-based green pigments on paintings and manuscripts by reflection FTIR107 cited
• 2015Development of a versatile XRF scanner for the elemental imaging of paintworks83 cited
• 2017CRONO: a fast and reconfigurable macro X‐ray fluorescence scanner for in‐situ investigations of polychrome surfaces56 cited
• 2018XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique54 cited
• 2018Integrated X-ray fluorescence and diffuse visible-to-near-infrared reflectance scanner for standoff elemental and molecular spectroscopic imaging of paints and works on paper45 cited
• 2020Mapping pigments and binders in 15th century Gothic works of art using a combination of visible and near infrared hyperspectral imaging