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Abstract If one considers the literary form of the Sophist, one is primarily interested in what is characteristic of, or distinctive about, the literary form of this particular dialogue, as opposed to other Platonic dialogues. But this should not make us overlook the fact that the Sophist, first of all, is a dialogue, and that, in the case of the Sophist, there is something particularly puzzling about this. So I will first consider the question why Plato wrote the Sophist as a dialogue, and then turn to two other literary features of the text.
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