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Arcangelo Corelli
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Arcangelo Corelli (1999)Arcangelo CorelliWriting about Popular Music (2019)Writing about Popular MusicStop the Press? The Changing Media of Music Criticism (2019)Stop the Press? The Changing …Music Criticism in Norway (2019)Music Criticism in NorwayMusic Criticism in Italy in the Twentieth Century (2019)Music Criticism in Italy in t…Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Critiquing the Canon: The Rol…Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century (2019)Constructing a Musical Nation…Compositional Artifice in the Music of Henry Purcell (2019)Compositional Artifice in the…Of Beginnings and Ends (2017)Of Beginnings and EndsThe overture-suite, concerto grosso, ripieno concerto andHarmoniemusikin the eighteenth century (2009)The overture-suite, concerto …Music in the market-place (2005)Music in the market-placeForm and gesture: canzona, sonata and concerto (2005)Form and gesture: canzona, so…A General History of the Science and Practice of Music (2011)The Present State of Music in Germany, the Netherlands, and United Provinces (2014)A General History of Music, from the Earliest Ages to the Present Period (2018)Music in the Seventeenth Century (1987)The fabrication of Louis XIV (1992)Celestial Sirens (1996)The Cambridge History of Musical Performance (2012)The performer and the composer (2012)Soundings Offstage (2015)The History of Violin Playing from Its Origins to 1761 (1967)Four and Twenty Fiddlers (1993)French Baroque music from Beaujoyeulx to Rameau (1998)Classic Music: Expression, Form, and Style (1981)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of Sonata Theory (2006)A Myriad of Exceptions? Challenging the Sonata‐Form Typology for the Classical Repertoire (2021)Early Double and Triple Returns in Galant Music (2025)Distinction. A Social Critique of the Judgement of Taste (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Oxford Dictionary of National Biography (2004)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The converged promoter, the calculating professional, and the autonomous critic – the presentation of musical authority on social media (2021)The emergence of promotional gatekeeping and converged local music professionals on social media (2021)Leviathan or The Matter, Forme and Power of a Common Wealth Ecclesiasticall and Civill (2012)19. The Second Treatise of Government (2016)An Essay Concerning Humane Understanding (2018)
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Cited by

  • 2019Writing about Popular Music53 cited
  • 2005Music in the market-place46 cited
  • 2017Of Beginnings and Ends12 cited
  • 2005Form and gesture: canzona, sonata and concerto6 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
  • 2019Music Criticism in Norway3 cited
  • 2019Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century3 cited
  • 2009The overture-suite, concerto grosso, ripieno concerto andHarmoniemusikin the eighteenth century2 cited
  • 2019Compositional Artifice in the Music of Henry Purcell2 cited
  • 2019Music Criticism in Italy in the Twentieth Century2 cited

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