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Cited by

• 2001The great composer23 cited
• 1997The Sublime and the Vulgar: the Hallé concerts and the constitution of ‘high culture’ in Manchester c. 1850–188020 cited
• 2001The structures of musical life15 cited
• 2020British Listeners c. 1780–183014 cited
• 2019The Parrys andPrometheus Unbound14 cited
• 2001Collective Bargaining in the Arts and Culture Sector: An Examination of Symphony Orchestras in Germany and the UK10 cited
• 2012Instrumental performance in the nineteenth century6 cited
• 2010Analysing musical culture in nineteenth-century Europe: towards a musical turn?6 cited
• 1998The London Apollonicon Recitals, 1817–32: A Case-Study in Bach, Mozart and Haydn Reception5 cited
• 2011A Score of Change: Twenty Years of Critical Musicology and Victorian Literature5 cited
• 2005‘A Period of Orchestral Destitution’?: Symphonic Performance in London, 1795–18134 cited
• 2019Music and Victorian Liberalism4 cited
• 2011Joseph Mainzer (1801–1851) and the Popularisation of Choral Singing in Britain4 cited
• 2005Henry Wood, the ?Proms,? and National Identity in Music, 1895-19044 cited
• 2012