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Abstract This essay was first published under the above title in Musical Quarterly, 46 (1960), 344–60. I should note concerning this title that there is nothing really pseudonymous about the monody called ‘pseudo-monody’. The label arose because ‘monody’ was thought to be a new genre of solo music brought about by a revolution in taste at approximately the time that recitative was invented. Caccini’s airs and madrigals were considered to be monody, as was recitative.
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