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Best billiard ball in the 19th century: Composite materials made of celluloid and bone as substitutes for ivory
16 references·1 citing·39 second hop
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References

  • 1996American plastic: a cultural history274 cited
  • 2000Raman spectroscopic database of azo pigments and application to modern art studies222 cited
  • 2008Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy191 cited
  • 1988Cellulose Nitrate in Conservation99 cited
  • 2021From Parkesine to Celluloid: The Birth of Organic Plastics46 cited
  • 1998Early Plastics: Perspectives 1850 195042 cited
  • 2016Nineteenth century chrome yellow and chrome deep from Winsor & NewtonTM33 cited
  • 1982The Stabilization of Ivory against Relative Humidity Fluctuations32 cited
  • 2014Factors influencing the stability of man-made fibers: A retrospective view for historical textiles29 cited
  • 2021From Parkesine to Celluloid: The Birth of Organic Plastics26 cited
  • 2016Identification by Raman microscopy of anachronistic pigments on a purported Chagall nude: conservation consequences19 cited
  • 1984Pioneer plastic. The making and selling of celluloid18 cited
  • 2021To be or not to be an azo pigment: Chemistry for the preservation of historical β-naphthol reds in cultural heritage16 cited
  • 1914Address of Acceptance15 cited
  • 2013

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Anatase: Important industrial white pigment and date-marker for artwork
11 cited
  • 2022Major to trace element imaging and analysis of iron age glasses using stage scanning in the analytical dual beam microscope (tandem)10 cited
  • Cited by

    • 2024A Closer Look at Heritage Systems from Medieval Colors to Modern and Contemporary Artworks6 cited