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Portrait Photography as a Visual Repository of Vernacular Memory: Interplay of Memory, Identity and Culture
16 references·0 citing·35 second hop
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this work references cited by second hop

References

  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 1987The Dynamic Self-Concept: A Social Psychological Perspective3,087 cited
  • 1925An Essay Concerning Human Understanding.2,542 cited
  • 1997Family Frames: Photography, Narrative and Postmemory2,318 cited
  • 1964Phenomenology of Perception.1,815 cited
  • 1997Archive fever: a Freudian impression1,580 cited
  • 2006Racism and Psychological and Emotional Injury1,313 cited
  • 2002Showing seeing: a critique of visual culture719 cited
  • 2010In Defense of Things: Archaeology and the Ontology of Objects641 cited
  • 2001History in person : enduring struggles, contentious practice, intimate identities609 cited
  • 1978Basic writings from Being and time (1927) to the Task of thinking (1964)555 cited
  • 2003Material culture after text: re‐membering things549 cited
  • 2022Interviews in the social sciences535 cited
  • 2008Digital photography: communication, identity, memory511 cited
  • 1971Brain bisection and the unity of consciousness441 cited
  • 2013On the Relation between ‘Visual Research Methods’ and Contemporary Visual Culture

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