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It’s new, it’s revolutionary, and it’s modern: Vietnamese indie music in the age of digital streaming platforms
16 references·0 citing·48 second hop
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References

  • 1999INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE303 cited
  • 2012Guest Editors' Introduction: How Is Neoliberalism Good to Think Vietnam? How Is Vietnam Good to Think Neoliberalism?182 cited
  • 2015‘Let's keep music special. F—Spotify’: on-demand streaming and the controversy over artist royalties156 cited
  • 2005What Is Indie Rock?138 cited
  • 2020Is music streaming bad for musicians? Problems of evidence and argument135 cited
  • 2018Youth, Music and DIY Careers87 cited
  • 2009DISLOCATING SOUNDS: The Deterritorialization of Indonesian Indie Pop80 cited
  • 2009Vietnam's Civilizing Process and the Retreat from the Street: A Turtle's Eye View From Ho Chi Minh City68 cited
  • 2020Social Class and the Negotiation of Selling Out in a Southern California Indie Rock Scene62 cited
  • 2002Popular Music in Indonesia since 1998, in Particular Fusion, Indie and Islamic Music on Video Compact Discs and the Internet55 cited
  • 2021Music streaming platforms and self-releasing musicians: the case of China51 cited
  • 2013Genre, Boundary Drawing and the Classificatory Imagination45 cited
  • 2009It was easy, it was cheap, so what?40 cited
  • 2018Routledge Handbook of Cultural and Creative Industries in Asia39 cited

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2020
Underglobalization: Beijing's Media Urbanism and the Chimera of Legitimacy
33 cited
  • 2018The Survival Struggle and Resistant Politics of a DIY Music Career in East Asia: Case Studies of China and Taiwan28 cited
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