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A Study of Pigment, Adhesive, and Firing Temperature in Pottery Figurines Excavated from the Tomb of Qibi Ming, China
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A Study of Pigment, Adhesive, and Firing Temperature in Pottery Figurines Excavated from the Tomb of Qibi Ming, China (2023)A Study of Pigment, Adhesive, and Firing …Systematic study of the material, structure and lacquering techniques of lacquered wooden coffins from the Eastern Regius Tombs of the Qing Dynasty, China (2021)Systematic study of the mater…Micro-Raman, XRD and THM-Py-GC/MS analysis to characterize the materials used in the Eleven-Faced Guanyin of the Du Le Temple of the Liao Dynasty, China (2021)Micro-Raman, XRD and THM-Py-G…Green and blue pigments in Roman wall paintings: A challenge for Raman spectroscopy (2021)Green and blue pigments in Ro…Multi-analytical characterizations of prehistoric rock art pigments from Karim Cave, Sangkulirang–Mangkalihat site, East Kalimantan, Indonesia (2020)Multi-analytical characteriza…Analysis of an Ancient Architectural Painting from the Jiangxue Palace in the Imperial Museum, Beijing, China (2020)Analysis of an Ancient 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Papuan pottery (1976)Vietnamese (15th Century) Blue‐And‐White, Tam Thai and Lustre Porcelains/Stonewares: Glaze Composition and Decoration Techniques* (2004)Pottery firing temperatures: a new method for determining the firing temperature of ceramics and burnt clay (2012)
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References

  • 1969DETERMINATION OF THE FIRING TEMPERATURE OF ANCIENT CERAMICS BY MEASUREMENT OF THERMAL EXPANSION: A REASSESSMENT154 cited
  • 2008Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage149 cited
  • 2012IDENTIFICATION, PROCESSING AND USE OF RED PIGMENTS (HEMATITE AND CINNABAR) IN THE VALENCIAN EARLY NEOLITHIC (SPAIN)65 cited
  • 2009Py-GC/MS, GC/MS and FTIR investigations on LATE Roman-Egyptian adhesives from opus sectile: New insights into ancient recipes and technologies62 cited
  • 2021Green and blue pigments in Roman wall paintings: A challenge for Raman spectroscopy37 cited
  • 2016A multi-analytical investigation of the materials and painting technique of a wall painting from the church of Copacabana de Andamarca (Bolivia)35 cited
  • 2013Micro-Raman analysis of the pigments on painted pottery figurines from two tombs of the Northern Wei Dynasty in Luoyang30 cited
  • 2016Multispectroscopic and Isotopic Ratio Analysis To Characterize the Inorganic Binder Used on Pompeian Pink and Purple Lake Pigments28 cited
  • 2016Analytical investigation of Mudéjar polychrome on the carpentry in the Casa de Pilatos palace in Seville using non-destructive XRF and complementary techniques27 cited
  • 2020Multi-analytical characterizations of prehistoric rock art pigments from Karim Cave, Sangkulirang–Mangkalihat site, East Kalimantan, Indonesia26 cited
  • 2013Determining the Firing Temperature of Low‐Fired Ancient Pottery: An Example from the D onghulin Site, B eijing, C hina26 cited
  • 2020Analysis of an Ancient Architectural Painting from the Jiangxue Palace in the Imperial Museum, Beijing, China

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25 cited
  • 2021Micro-Raman, XRD and THM-Py-GC/MS analysis to characterize the materials used in the Eleven-Faced Guanyin of the Du Le Temple of the Liao Dynasty, China25 cited
  • 2012Micro‐Raman and GC/MS analysis to characterize the wall painting technique of Dicho Zograph in churches from Republic of Macedonia25 cited
  • 2021Systematic study of the material, structure and lacquering techniques of lacquered wooden coffins from the Eastern Regius Tombs of the Qing Dynasty, China23 cited
  • 2019Identification of pigments in the Annunciation sculptural group (Cordoba, Spain) by micro-Raman spectroscopy22 cited
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