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State Murals, Protest Murals, Conflict Murals: Evolving Politics of Public Art in Ukraine
9 references·0 citing·27 second hop
State Murals, Protest Murals, Conflict Murals: Evolving Politics of Public Art in Ukraine (2023)State Murals, Protest Murals, Conflict Mu…Murals and their evolution and typology in the space of the urban environment on the example of Kyiv (2021)Murals and their evolution an…Murals as the newest tourist resources: the case of Kyiv (2020)Murals as the newest tourist …The ugly truth: Street Art, Graffiti and the Creative City (2014)The ugly truth: Street Art, G…Symbiotic Postures of Commercial Advertising and Street Art (2010)Symbiotic Postures of Commerc…Semiotics of visual iconicity in Leninist `monumental' propaganda (2008)Semiotics of visual iconicity…The Dilemmas of De-Stalinization (2006)The Dilemmas of De-Stalinizat…Was Socialist Realism Forced Labour? The Case of Aleksandr Deineka in the 1930s (2005)Was Socialist Realism Forced …To Touch on the Raw (1997)To Touch on the RawCreating the Sacred Space. Hierotopy as a New Field of Cultural History (1914)Creating the Sacred Space. Hi…The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Netnography (2017)“Brand play” versus “Brand attack”: the subversion of brand meaning in non-collaborative co-creation by professional artists and consumer activists (2018)Brand management and the world of the arts: collaboration, co-operation, co-creation, and inspiration (2018)Advances in Consumer Research (2025)Socialist realist painting (1998)The uses of images: studies in the social function of art and visual communication (1999)La voix de la propagande (2019)The Ideology of the Aesthetic (1988)Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered (1992)Socialist realism: an impossible aesthetic (1993)Street Art: The Transfiguration of the Commonplaces (2010)Graffiti and street art (2012)Art as a new urban norm: Between normalization of the City through art and normalization of art through the City in Montreal and Johannesburg (2017)Repensando el concepto de arte a través del turismo: el turismo de arte callejero en Guayaquil (2020)Street art in the context of urban tourism development (2022)Murals and Graffiti in Modern Ukraine: Features and Differences (2018)The Role of Street Art in Artistic Design Citizen Experience in the City (2025)Makna Kesakralan Gereja Katolik (2017)Domestic Devotions in the Early Modern World (2018)Heterotopic Assemblages within Religious Structures: Ganesh Utsav and the Streets of Mumbai (2019)Material culture, housing and identities in Russian post-industrial neighbourhoods (2022)Prometheus in Russia: from revolution to dissidence (2022)Urban Art touristification: The case of Lisbon (2019)Artificial Intelligence and Democracy (2022)Street art/art in the street – semiotics, politics, economy (2022)
this work references cited by second hop

References

  • 2010Symbiotic Postures of Commercial Advertising and Street Art76 cited
  • 2014The ugly truth: Street Art, Graffiti and the Creative City76 cited
  • 2006The Dilemmas of De-Stalinization68 cited
  • 2008Semiotics of visual iconicity in Leninist `monumental' propaganda41 cited
  • 2005Was Socialist Realism Forced Labour? The Case of Aleksandr Deineka in the 1930s18 cited
  • 1914Creating the Sacred Space. Hierotopy as a New Field of Cultural History14 cited
  • 1997To Touch on the Raw12 cited
  • 2020Murals as the newest tourist resources: the case of Kyiv5 cited
  • 2021Murals and their evolution and typology in the space of the urban environment on the example of Kyiv4 cited

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