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Female, Mosher, Transgressor: A 'Moshography' of Transgressive Practices within the Leeds Extreme Metal Scene
16 references·4 citing·40 second hop
Female, Mosher, Transgressor: A 'Moshography' of Transgressive Practices within the Leeds Extreme Metal Scene (2013)Female, Mosher, Transgressor: A 'Moshogra…The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England (2012)The Construction of Heavy Met…Embracing the Chaos: Mosh Pits, Extreme Metal Music and Liminality (2011)Embracing the Chaos: Mosh Pit…Non-representational theory : space, politics, affect (2007)Non-representational theory :…Critical Hip-Hop Language Pedagogies: Combat, Consciousness, and the Cultural Politics of Communication (2007)Critical Hip-Hop Language Ped…The Sage Handbook of Qualitative Research[1] (2006)The Sage Handbook of Qualitat…Risky Pleasures?: Club Cultures and Feminine Identities (2006)Risky Pleasures?: Club Cultur…Extreme Metal: Music and Culture on the Edge (2006)Extreme Metal: Music and Cult…Performing identity within a multicultural framework (2005)Performing identity within a …Performing ethnography: Irish traditional music sessions and new methodological spaces (2005)Performing ethnography: Irish…Death Metal Music: The Passion and Politics of a Subculture (2003)Death Metal Music: The Passio…Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience (2002)Metal, Rock, and Jazz: Percep…Pretty in Punk: Girls' Gender Resistance in a Boys' Subculture (2000)Pretty in Punk: Girls' Gender…Rules of rebellion: slamdancing, moshing, and the American alternative scene (1999)Rules of rebellion: slamdanci…The Time of the Tribes: The Decline of Individualism in Mass Society. (1997)The Time of the Tribes: The D…The dance of qualitative research design: Metaphor, methodolatry, and meaning. (1994)The dance of qualitative rese…Ethnography and popular music studies (1993)Ethnography and popular music…Masculinidades y feminidades en la música metal (2020)Masculinidades y feminidades …Gender and Power in the Death Metal Scene (2016)Gender and Power in the Death…YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers (2015)YouTube as a virtual springbo…Metal and marginalization: Researching at the edges of exteriority (2015)Metal and marginalization: Re…Discourse Strategies (1982)Language and Symbolic Power. (1992)Critical Discourse Analysis: The Critical Study of Language (1995)Global Ill-Literacies (2011)Teacher language ideologies mediating classroom-level language policy in the implementation of dual language bilingual education (2017)The (white) ears of Ofsted: A raciolinguistic perspective on the listening practices of the schools inspectorate (2022)Writing Culture (1986)The Predicament of Culture (1988)Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting (2008)Meaning not measurement (2010)The Interpretation of Cultures (2017)The Presentation of Self in Everyday Life. (1956)Music Scenes, Space and the Body (2014)Putting the ‘studies’ back into metal music studies (2018)Facilitating Collective Psychosocial Resilience in the Public in Emergencies: Twelve Recommendations Based on the Social Identity Approach (2019)Rabelais and his world (2020)The Presentation of Self in Everyday Life (2023)Club cultures: music, media and subcultural capital (1996)Researching youth culture and popular music: a methodological critique (2002)Repertoires of distinction (2009)The legacy of ‘normalisation’: The role of classical and contemporary criminological theory in understanding young people's drug use (2009)Geographies of Privilege (2013)Qualitative Analysis for Social Scientists (1987)The qualitative research interview (2006)Saturation in qualitative research: exploring its conceptualization and operationalization (2017)Atmospheric Attunements (2010)Preemption, precaution, preparedness: Anticipatory action and future geographies (2010)Assemblage and geography (2011)Constant Comparison Method: A Kaleidoscope of Data (2000)Risk: From perception to social representation (2003)Distinguishing Participation and Inclusion (2011)Classification as Culture: Types and Trajectories of Music Genres (2008)What Is Sociological about Music? (2010)Dark tourism motivations: Simulation, emotional contagion and topographic comparison (2012)Youth and Cultural Practice (2002)Taken Out of Context: American Teen Sociality in Networked Publics (2009)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Research, Performance, and Doing Human Geography: Some Reflections on the Diary-Photograph, Diary-Interview Method (2003)Twenty-First Century Dis-Ease? Habitual Reflexivity Or the Reflexive Habitus (2003)Antecedents and purchase consequences of customer participation in small group brand communities (2006)
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References

  • 2006The Sage Handbook of Qualitative Research[1]5,842 cited
  • 2007Non-representational theory : space, politics, affect2,119 cited
  • 1994The dance of qualitative research design: Metaphor, methodolatry, and meaning.947 cited
  • 1997The Time of the Tribes: The Decline of Individualism in Mass Society.592 cited
  • 2006Extreme Metal: Music and Culture on the Edge465 cited
  • 1993Ethnography and popular music studies226 cited
  • 2000Pretty in Punk: Girls' Gender Resistance in a Boys' Subculture201 cited
  • 2007Critical Hip-Hop Language Pedagogies: Combat, Consciousness, and the Cultural Politics of Communication156 cited
  • 2006Risky Pleasures?: Club Cultures and Feminine Identities144 cited
  • 2011Embracing the Chaos: Mosh Pits, Extreme Metal Music and Liminality137 cited
  • 2003Death Metal Music: The Passion and Politics of a Subculture131 cited
  • 2005Performing ethnography: Irish traditional music sessions and new methodological spaces118 cited
  • 2002Metal, Rock, and Jazz: Perception and the Phenomenology of Musical Experience115 cited
  • 2005Performing identity within a multicultural framework110 cited
  • 2012The Construction of Heavy Metal Identity through Heritage Narratives: A Case Study of Extreme Metal Bands in the North of England

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92 cited
  • 1999Rules of rebellion: slamdancing, moshing, and the American alternative scene87 cited
  • Cited by

    • 2015YouTube as a virtual springboard: Circumventing gender dynamics in offline and online metal music careers11 cited
    • 2015Metal and marginalization: Researching at the edges of exteriority9 cited
    • 2016Gender and Power in the Death Metal Scene7 cited
    • 2020Masculinidades y feminidades en la música metal3 cited