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Body motion of choral singers
11 references·0 citing·47 second hop
Body motion of choral singers (2023)Body motion of choral singersSinging Together, Yet Apart: The Experience of UK Choir Members and Facilitators During the Covid-19 Pandemic (2021)Singing Together, Yet Apart: …Effects of Choir Spacing and Riser Step Heights on Acoustic and Perceptual Measures of SATB Choir Sound Acquired From Four Microphone Positions in Two Performance Halls (2019)Effects of Choir Spacing and …Relationships of a Circular Singer Arm Gesture to Acoustical and Perceptual Measures of Singing (2015)Relationships of a Circular S…Being in the zone: physiological markers of togetherness in joint improvisation (2015)Being in the zone: physiologi…The psychological benefits of participating in group singing for members of the general public (2013)The psychological benefits of…Gesture and body-movement as teaching and learning tools in the classical voice lesson: a survey into current practice (2013)Gesture and body-movement as …Benefits of choral singing for social and mental wellbeing: qualitative findings from a cross‐national survey of choir members (2012)Benefits of choral singing fo…Choral singing and psychological wellbeing: Quantitative and qualitative findings from English choirs in a cross-national survey (2010)Choral singing and psychologi…The Role of the Body in the Production and Perception of Solo Vocal Performance: A Case Study of Annie Lennox (2001)The Role of the Body in the P…Moving Musical Experiences in Chorus (2000)Moving Musical Experiences in…Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’ (1992)Diversity and commonality in …Communication and cooperation in early infancy : A description of primary intersubjectivity (1979)Joint action: bodies and minds moving together (2006)The Elementary Forms of the Religious Life: (2011)Investigating collaborative learning success with physiological coupling indices based on electrodermal activity (2016)Coordinated Interpersonal Behaviour in Collective Dance Improvisation: The Aesthetics of Kinaesthetic Togetherness (2018)Music, Computing, and Health: A Roadmap for the Current and Future Roles of Music Technology for Health Care and Well-Being (2021)The Thematic Process in Music (1951)EXPERT AND EXCEPTIONAL PERFORMANCE: Evidence of Maximal Adaptation to Task Constraints (1996)Music Performance Research at the Millennium (2003)Sensorimotor synchronization: A review of the tapping literature (2005)Qualitative Research Design: An Interactive Approach (1996)The theory and practice of group psychotherapy. 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(1999)Effects of Choir Singing or Listening on Secretory Immunoglobulin A, Cortisol, and Emotional State (2004)The World Health Organization's WHOQOL-BREF quality of life assessment: Psychometric properties and results of the international field trial. A Report from the WHOQOL Group (2004)Shall we dance? An exploration of the perceived benefits of dancing on well-being (2010)Group singing fosters mental health and wellbeing: findings from the East Kent “singing for health” network project (2011)Praxial Music Education: Reflections and Dialogues (2005)Singing with Gesture: Acoustic and Perceptual Measures of Solo Singers (2019)Effects of Three Common Choral Performance Movement Conditions on Acoustic and Perceptual Measures of Choral Sound (2020)Effects of group singing and performance for marginalized and middle-class singers (2005)Music as social life: the politics of participation (2009)It’s better together: The psychological benefits of singing in a choir (2016)“Music Has No Borders”: An Exploratory Study of Audience Engagement With YouTube Music Broadcasts During COVID-19 Lockdown, 2020 (2021)Collaborating in Isolation: Assessing the Effects of the Covid-19 Pandemic on Patterns of Collaborative Behavior Among Working Musicians (2021)The Power of Music (2022)Movement, Gesture, and Singing: A Review of Literature (2020)Listeners’ Perceptions of Choral Performances With Static and Expressive Movement (2021)
this work references cited by second hop

References

  • 1992Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’356 cited
  • 2010Choral singing and psychological wellbeing: Quantitative and qualitative findings from English choirs in a cross-national survey285 cited
  • 2015Being in the zone: physiological markers of togetherness in joint improvisation148 cited
  • 2012Benefits of choral singing for social and mental wellbeing: qualitative findings from a cross‐national survey of choir members144 cited
  • 2001The Role of the Body in the Production and Perception of Solo Vocal Performance: A Case Study of Annie Lennox123 cited
  • 2013The psychological benefits of participating in group singing for members of the general public122 cited
  • 2021Singing Together, Yet Apart: The Experience of UK Choir Members and Facilitators During the Covid-19 Pandemic120 cited
  • 2013Gesture and body-movement as teaching and learning tools in the classical voice lesson: a survey into current practice23 cited
  • 2000Moving Musical Experiences in Chorus16 cited
  • 2015Relationships of a Circular Singer Arm Gesture to Acoustical and Perceptual Measures of Singing11 cited
  • 2019Effects of Choir Spacing and Riser Step Heights on Acoustic and Perceptual Measures of SATB Choir Sound Acquired From Four Microphone Positions in Two Performance Halls8 cited

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