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Sounds of displeasure: a textual and sonic reading of ‘The Masses’ by Ghanaian hiplife artist Sarkodie
16 references·0 citing·35 second hop
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References

  • 1995The power of black music: interpreting its history from Africa to the United States388 cited
  • 2009Book of Rhymes: The Poetics of Hip Hop258 cited
  • 1997Popular Culture as Oppositional Culture: Rap as Resistance184 cited
  • 2009Aesthetic of the Entrepreneur: Afro-Cosmopolitan Rap and Moral Circulation in Accra, Ghana104 cited
  • 1991The Fine Art of Rap61 cited
  • 2002Rap Music as an Extension of the Black Rhetorical Tradition: "Keepin' It Real"60 cited
  • 2013Hiphop Africa: new African music in a globalizing world55 cited
  • 2002Rap Music and the Poetics of Identity36 cited
  • 2010Poetry and cultural studies: a reader34 cited
  • 1982The Political Meaning of Highlife Songs in Ghana32 cited
  • 1991Oratory in Akan Society31 cited
  • 2016Protest and Music27 cited
  • 2006‘Wrapped up’: ideological setting and figurative meaning in African-American gospel rap22 cited
  • 2012Music and dance traditions of Ghana: history, performance, and teaching21 cited
  • 2026Popular Music and Politics in Africa – Some Introductory Reflections16 cited
  • 2017Rap Music in Turkey

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