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From the Self-Invention of the Whiteman in the Thirteenth Century to The Good, The Bad, and The Ugly
3 references·1 citing·18 second hop
From the Self-Invention of the Whiteman in the Thirteenth Century to The Good, The Bad, and The Ugly (2008)From the Self-Invention of the Whiteman i…The Difference the Middle Ages Makes: Color and Race before the Modern World (2001)The Difference the Middle Age…On Saracen Enjoyment: Some Fantasies of Race in Late Medieval France and England (2001)On Saracen Enjoyment: Some Fa…Images of Divine Order and the Third Mode of Seeing (1983)Images of Divine Order and th…Introduction: The Future is Necessarily Monstrous (2010)Introduction: The Future is N…Jesus as Mother (1982)The making of Europe: conquest, colonization and cultural change, 950-1350 (1993)Joan Cadden. Meanings of Sex Difference in the Middle Ages: Medicine, Science, and Culture. (Cambridge History of Medicine.) New York: Cambridge University Press. 1993. Pp. xii, 310 (1994)The racial formation of medieval Jews: a challenge to the field (2010)The Invention of Race in the European Middle Ages II: Locations of Medieval Race 1 (2011)Beyond Babel (2020)Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1967)The Riverside Chaucer (1986)Dangerous liaisons: gender, nation, and postcolonial perspectives (1997)Race, Periodicity, and the (Neo-) Middle Ages (2004)Jessica's Mother: Medieval Constructions of Jewish Race and Gender in The Merchant of Venice (2007)The depoliticized Saracen and Muslim erasure (2019)Points... (1995)Why All the Fuss about the Body? A Medievalist's Perspective (1995)Deformed Discourse (1996)The Book of Memory (2008)What Fortune Can Do to a Minim (2012)Representing Transcendence: The Semiosis of Real Presence (2014)
this work references cited by second hop

References

  • 2001On Saracen Enjoyment: Some Fantasies of Race in Late Medieval France and England108 cited
  • 2001The Difference the Middle Ages Makes: Color and Race before the Modern World102 cited
  • 1983Images of Divine Order and the Third Mode of Seeing46 cited

Cited by

  • 2010Introduction: The Future is Necessarily Monstrous2 cited

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