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In his 2000 book, Between Camps, and its 2005 follow-up, Postcolonial Melancholia, Paul Gilroy described postcolonial melancholia—a failure to mourn the loss of imperial prestige—and conviviality—the messy and banal navigation of fractally complex but increasingly less meaningful lines of difference in the city—as two opposing but related characteristics of the British urban experience at the dawn of the century. Nowhere is this more evident than in the neighbourhoods of riverine East London, whose identity and urban morphology have been shaped by the river running through them, upriver to the heart of the imperial metropolis and downriver to Britain’s extensive colonies and postcolonies. In these long-standing arrival quarters, the structure of feeling includes two elements in tension with each other: a mode of lament expressing a form of morbid attachment to the perceived greatness of the imperial age, whose ghostly afterlife is etched in the monumental architecture of London’s boroughs and inscribed in the names of its streets and buildings; and a fragile emergent form of convivial coexistence that finds resonance in alternative narratives of the imperial past. Gidley’s article addresses these issues through data from long-standing research engagement with Bermondsey and Deptford on the southern shore and with Barking on the northern shore of the Thames.
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